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In theory, I don’t think you can do too much character development. Most scripts I read that aren’t good enough suffer because the characters are too thinly drawn, not complex enou...
"Good dialogue comes from character development . The better you know your character, the more specific the dialogue is going to feel."--Chris McCoyGo Into The Story interview, Nov...
“There really are no characters in plays; there are relationships.”--Arthur MillerFor 100s more On Writing posts, go here.The Protagonist’s Journey: An Introduction to Character-Dr...
“Strong characters act despite their fear, not because of it.”
“Strong characters act despite their fear, not because of it.”Continue reading on Go Into The Story »
So, you’re a writer? First of all, c’mere. Hugs. Being a writer is hard for so many reasons, but chief among them is that it’s hard to invent truth. It’s hard to make something up...
By Allison K Williams A writer tells me, “My teacher said I need more interiority, but then my essay has too much ‘I thought’ and ‘I felt.’” Or, “My beta readers said they didn’t k...
In a movie, the Mentor's primary function is tied to the Protagonist's intellectual growth, their ability to incorporate insights into their inner nature and move toward Unity.Like...
How do you attack and structure a story? Do you see the situation first? Do you have an image or set piece in mind? Or do you begin with character?For me, that’s typically the case...
Martin McDonagh’s 2017 masterpiece, Three Billboards Outside Ebbing, Missouri, boasts some of the finest character work of the entire decade. Frances McDormand’s Oscar-winning perf...
Confucius taught that repeated conduct makes the person. But now, your feed pays you for the first draft, and your AI agrees with everything you say. Here is how to train yourself.
What can the opening paragraphs of an essay about Katniss Everdeen teach students?
Reflects on his childhood love of storytelling, urges aspiring creators to focus on theatre and craft over fame
by James Scott Bell In Super Structure, I explain a beat called “the argument against transformation.” It is the linchpin of the character arc. It pays off the end, when the charac...
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