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One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Today, a garden in Milan was named after a costume maker, a woman known affectionately as the “Queen of the tutu” – Eufemia Brancato.
I was a huge fan of Anna Netrebko.
Iain Bell and Lydia Steier's Medusa stuns in Brussels.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d'Arco from 1951.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
The one who got away was Anna Caterina Antonacci, a thrilling performer.
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
Fausto Cleva, in this glorious Fanciulla from the old Met, demonstrates all the great skills of opera conducting
Yes, the Met had Birgit Nilsson - so they let the volcano that was Gertrude Grob-Prandl's voice slip through their fingers.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
Stiffelio has always been the dark horse of early Verdi operas.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
So much color in this beautifully agile voice.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Premiered in 1857, Verdi’s opera Simon Boccanegra, brims... The post Watch: Just another Verdi father-daughter masterpiece appeared first on Slippedisc.
Bring on the drama, mama!
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