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Winners included ‘La Gradiva’ and Aina Clotet.
Marine Atlan's directorial debut, about a group of French teenagers on a school trip to Naples, took top honors in the Cannes sidebar for first and second features.
The Cannes Critics' Week selection (and Grand Prix winner) marks the feature debut of Atlan, who crafts an enormously affecting tale of volatile youths and their most thorny self-d...
From key titles in the Competition to hidden gems in the sidebars.
Two films from Director's Fortnight and a standout from Critics Week are spotlighted.
FNE has teamed up with FIPRESCI critics attending the Cannes Film Festival to rate the films in the Main Competition, Un Certain Regard, Directors' Fortnight and Critics Week, givi...
Cannes: Mercifully free of typical high school movie tropes, the teenagers at the heart of Marine Atlan’s film are fully realized people, allowing this stunning work to reach towar...
On three standouts from this year's Un Certain Regard program.
Managing Editor Brian Tallerico and our correspondents talk about the highs and lows of this year's fest.
On three standouts from the sidebar sections at this year's Cannes.
On two from Cannes Competition, featuring world-famous actresses.
by Cláudio Alves Did the film student who directed PASSION dream he'd one day be a Palme d'Or frontrunner? The 79th Cannes Film Festival continues to unfold on the French Riviera...
FNE has teamed up with FIPRESCI critics attending the Cannes Film Festival to rate the films in the Main Competition, Un Certain Regard, Directors' Fortnight and Critics Week, givi...
FNE has teamed up with FIPRESCI critics attending the Cannes Film Festival to rate the films in the Main Competition, Un Certain Regard, Directors' Fortnight and Critics Week, givi...
On three pictures that highlighted Cannes Critics' Week sidebar.
On two powerful Queer films from Cannes by actors-turned-directors, including the fest breakout hit just bought by A24.
On new films from major directors, including a potential candidate for this year's Palme d'Or.
On three standouts from this year's Director's Fortnight.
by Elisa Giudici LA BOLA NEGRA There’s a strange atmosphere lingering over Cannes this year: not scandal, not outrage, not even division exactly. More like collective hesitation....
Critics from around the world selected Ryusuke Hamaguchi's "All of a Sudden" as the best film of the festival, with Jordan Firstman's "Club Kid" also receiving significant attentio...
It's also writer/director Cristian Mungiu's second Palme after winning in 2007 for "4 Months, 3 Weeks and 2 Days."
"Club Kid," "Camp Miasma," and "Minotaur" may not have a lot in common, but they all stood out from a weak lineup for a similar reason.
Longtime correspondent Ben Kenigsberg discusses the latest from two Cannes-favorite auteurs.
On the final film to premiere in Competition at Cannes this year, plus brief thoughts on three others.
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