A favorite art song performance from Niel Rishoi
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
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Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
Rosa Ponselle is the singer who had it all.
This song has always been one of my favorites.
Janet Baker sings Elgar's Sea Pictures with such honesty and clarity and fervor.
Welsh tenor and broadcaster Wynne Evans talks to Antonia LeVay about preparing to reconnect with audiences on a mini-tour of Wales this month. The post After a “brutal year”, WYNNE...
It's not where you start but where you Finnish
Wolfgang Holzmair's performance was amazing in its personal and intimate approach.
I have always loved this recording of Canteloube's Chants d'Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
I was a huge fan of Anna Netrebko.
A strong revival of Falstaff at the Los Angeles Opera proves a fitting farewell vehicle for Music Director James Conlon.
Tongan-New Zealand tenor Filipe Manu cut his hair after he became an opera star. But he kept his tatts.
The first Fanny Hensel competition, in memory of... The post English baritone wins Fanny prize appeared first on Slippedisc.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
A mezzo-soprano from Stockholm, Rebecka Wallroth, has been... The post ‘Magnificent’ young Swedish mezzo nets $32,428.74 appeared first on Slippedisc.
Ryan Speedo Green has been previewing his take on Wotan, ruler of the gods, with Gustavo Dudamel and the Los Angeles Philharmonic.
The 80th season of Welsh National Opera appears... The post Wales is reduced to bought-in operas appeared first on Slippedisc.
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
It feels like this production of The Flying Dutchman has been advertised for an eternity.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
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