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A song from their new album, Inferno, plays at the end of the A24 horror film
Oscar and Emmy-nominated composer Laura Karpman talks about finding a musical language for Apple's ambitious and daring mystery series.
The track appears on the electronic duo's newly-released comeback album, Inferno. Boards of Canada’s “The World Becomes Flesh” Soundtracks Backrooms End Credits Alex Krinsky
Music supervisors Manish Raval, Tom Wolfe, and Jonathan Leahy tell IndieWire about taking a more holistic approach to the music of "Nobody Wants This" Season 2.
In an exclusive interview with Digital Trends, Obsession composer Rock Burwell discusses creating the horror hit's unsettling score, awards campaign, and his upcoming work with dir...
Bowers and Parsons discussed the score of the superhero detective series at IndieWire's composer roundtable.
Quayle discussed his work on the Netflix drama series while appearing on IndieWire's Craft Roundtables.
Television scoring is a strange trade. The composer labours in service of someone else's narrative, hitting marks set by editors and producers, and rarely gets to step out from beh...
Paesano discussed his score for the Netflix thriller series at IndieWire's composer roundtable.
Drawing on series creator Lee Sung Jin’s originality and 2010s indie references, the Grammy- and Oscar-winning artist crafted a tense, synthy soundtrack that rarely fades into the...
Russo joined IndieWire's roundtable of composers to discuss his work on the sci-fi series.
Daniel Goldhaber's new vision for Faces of Death was accompanied by a killer soundtrack from Gavin Brivik, and, thanks to Lakeshore Records, the official soundtrack will be release...
Texas Monthly’s director of audio, Brian Standefer, discusses his original compositions for our new podcast.
Disasterpeace created one of the greatest horror film scores of the last two decades for 'It Follows'...now, he's back for 'They Follow'!
The 'Spider-Noir' soundtrack features new music by Kris Bowers and Michael Dean Parsons, plus two original songs by Li Jun Li. The post ‘Spider-Noir’ Soundtrack: Kris Bowers and Mi...
undertone producer Steven Schneider, whose genre credits also include Hokum and Paranormal Activity, has found his next sound-driven horror for […]
Composer Daniel Hart shares a few musical inspirations behind the rollicking new season of AMC's cult horror show.
Composers from "The Madison," "The Boroughs," "Alien: Earth," "Murderbot," "Spider-Noir," and "Monster: The Ed Gein Story" gathered to discuss the craft that goes into the sounds o...
30 years on, the score that helped redefine horror is getting the deluxe treatment it deserves. Varèse Sarabande and Craft Recordings are marking the anniversary of Marco Beltrami’...
"The Singularity" is the name of Emmy- and BAFTA Award-winning composer Bear McCreary's symphonic metal project. In 2024, McCreary released an ambitious hard rock concept album of...
Wes Anderson is a very particular filmmaker with an instantly identifiable aesthetic, and a big part of that aesthetic is music. Over the past few decades, Anderson has made great...
Vivian spoke about his score for the Western series during IndieWire's Craft Roundtables.
We asked the music supervisors from six Emmy contenders to pick the needle drops they love most from their shows' latest seasons.
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