Latest updates for Brian O'doherty

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Recent items include:

  • How Venice and New Media Art Are Making the White Cube Increasingly Obsolete
  • Inside the Calvert Brothers’ Art Club for Everyone
  • Review: Outsider Art on Display at a New York City Museum

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observer.com /2 weeks ago

How Venice and New Media Art Are Making the White Cube Increasingly Obsolete

A recent run of ambitious site-specific projects demonstrates aptly why exhibitions must be conceived in dialogue with architecture, history and the bodies moving through them.

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observer.com /4 weeks ago

Inside the Calvert Brothers’ Art Club for Everyone

Clayton and Parker Calvert launched the NYC Culture Club during the pandemic to give artists greater visibility, collectors new inroads and the public an accessible way to engage w...

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reason.com /5 days ago

Review: Outsider Art on Display at a New York City Museum

The American Folk Art Museum curates works by self-taught artists.

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newyorker.com /1 month ago

Eric Drooker’s “Outside Art”

A reprieve from the city’s chaos.

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observer.com /1 month ago

On a Remote Corner of Chios, the Art World Finds Room Think

The art world has developed its own version of the privacy economy, a circuit of events where the serious thinking happens away from the main stages (and the absence of a waiting l...

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newyorker.com /1 month ago

Paul Thek’s Eclectic Art

Also: Tori Amos with Bartees Strange, the French dancer Hugo Marchand, a play about the House Un-American Activities Committee, and more.

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nybooks.com /1 month ago

Where the Meanings Are

Fairfield Porter was an insider among the East Coast elite, but his own portraits of life in Southampton and Maine give the charming impression of an outsider looking in.

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newyorker.com /4 weeks ago

Pope.L’s Pleasing Refusal to Be Interpreted

Whether crawling through New York in a suit or painting with peanut butter, the artist remained loyal to his own impish curiosity.

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irishcentral.com /1 month ago

Modern Art in Irish America: The Works of Joan Fitzgerald

Joan Fitzgerald's 1981 exhibit at the American Irish Historical Society helped define her as an Irish American artist.

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newyorker.com /1 month ago

The Modern R. & B. of Olivia Dean and Baby Rose

Also: Cat Cohen’s one-woman musical comedy, the Anthony Bourdain bio-pic “Tony,” Battery Dance Festival by the water, and more.

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observer.com /1 month ago

Doug Aitken’s ‘Lightscape’ Turns the American Dream Into a Requiem

Arguably a contemporary opera, the work follows multiple characters in a Robert Altman-esque structure, taking viewers on a journey of extreme change.

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newyorker.com /1 month ago

Il Paradiso Italiano di Julian Schnabel

At his pink palazzo, in the West Village, the artist packs up paintings for a Pace exhibit and discusses his new movie, about Dante—produced by, and guest-starring, Martin Scorsese...

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newyorker.com /4 weeks ago

The Many Masks of Dan Hoyle

The actor performs real people’s stories onstage—from loyal Trump voters to superfans of the band Phish. Now he’s bringing his “journalistic theatre” back to Joe’s Pub.

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observer.com /1 month ago

One Fine Show: “Views of Vexation of Spirit” at the Serralves Museum of Contemporary Art in Porto

In the absence of hope, the Duerckheim Collection shows how to find beauty in desolation.

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observer.com /2 days ago

Daisy Dixon’s “Depraved” Grapples With the Art of Problematic Artists

Observer spoke to the author about controversial figures in the art world, dealing with woke dismissiveness and whether artists can effectively skewer the cultural signifiers that...

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greatergood.berkeley.edu /1 week ago

Sidedoor: Writing on the Wall

What is the role of the public artist? And how can public art both reflect and shape a community's identity?

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observer.com /1 month ago

Inside the First Watermill Center Summer Festival Without Robert Wilson

“Everywhere you look, Robert sets us up to have a view," RoseLee Goldberg, Performa's founder, told Observer. "Every step we take, you can be sure that he somehow thought of it.”

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observer.com /1 month ago

One Fine Show: “Peggy Guggenheim in London, The Making of a Collector”

Roughly 100 works shown at Guggenheim Jeune on Cork Street nearly a century ago are now on view at the Peggy Guggenheim Collection in Venice.

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observer.com /1 week ago

Cj Hendry, Price Laddering and a New Collecting Model for the Kidulting Economy

"When I go to a museum or a gallery, I want to feel that the space is generous. I want people to come away with something. It doesn't need to be expensive, but just a portion of th...

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nybooks.com /1 week ago

The Other Donald

A dispatch from the Art Editor

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observer.com /1 month ago

One Fine Show: “Björk, Echolalia” and “James Merry, Metamorphlings” at the National Gallery of Iceland

Experienced together, Merry's first museum retrospective and Björk's immersive sound installations build a universe around grief and transformation.

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observer.com /2 days ago

Yoshitomo Nara’s New York Story Can Be Found in its Punk Clubs

Seventeen years after he drew on the walls at Niagara in the East Village, the artist is a superstar, one of only a handful of living artists to have cracked the $25 million mark f...

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newyorker.com /1 month ago

Fairfield Porter’s Lush, Lonely Vision of the World

The painter was rich and cloistered, and used color like few others before or after him.

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observer.com /1 week ago

How Collectors Bob and Jane Clark Turned Collecting into Community Building

Early acquisitions of works by Theaster Gates, Derrick Adams and Rashid Johnson came before those artists' markets fully developed, reflecting the couple's longstanding support for...

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Sources covering Brian O'doherty

feeds.feedburner.com

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greatergood.berkeley.edu

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observer.com

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reason.com

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irishcentral.com

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newyorker.com

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