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My second book, The Instrument Must Not Matter, is a coming-of-age novel centres on Lila Rys, a promising Canadian pianist who arrives in New York as the book opens to work with a...
This week’s must-hear albums include a jazz master’s opus, a Danish delight and a Western Australian gem.
Spitalfields festival, LondonNew pieces written in response to the novelist’s works by Kate Moore, Alice Yeung, Seung-Won Oh and Sara Zamboni made for ravishing harmonies and inter...
THE title of Sir James MacMillan’s oratorio Angels Unawares is taken from Hebrews 13.2. “Be not forgetful to entertain angels, for some have entertained angels unawares.” The 70-mi...
Mozart choral works, a pairing of Dvorak and Carlos Simon and piano music by Philip Glass are among our selections.
A new exhibition at Tate Britain includes canvases titled after symphonies and nocturnes, but the inspiration flows in both directions. Plus, how Felicity Lott led me to an epiphan...
Jane Mackay’s exhibition of paintings representing each opus of Benjamin Britten, “Painting Britten: 100 Visions of the Music”, is at The Pond Gallery, Snape Maltings, Snape, in Su...
For people forced to flee their homes, music can become a place to belong. Ailbhe Kenny charts exactly how in ‘Music Refuge: Living Asylum through Music’, out now via Oxford Univer...
CUSTODIAN of a choral tradition enjoying global respect, St John’s College, Cambridge, has stolen the show with its new organ. The college has replaced a neo-classical Mander of 1...
Two new Toccata Classics releases – by David Hackbridge Johnson and Cambridge's Girton College Choir – showcase the variety in their output. The post Apostles & Polish writers...
The city's annual jazz celebration is hitting all the right notes, beginning with a blockbuster hometown performance from The Teskey Brothers.
The languid melodies of Vincenzo Bellini’s operas look simple and spare on the page, but they are exacting, even merciless for singers.
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The festival at Donaueschingen used to be the... The post The future of music? appeared first on Slippedisc.
The shows worth locking in before they sell out, sorted by the month they land.
KATJA HOYER has built a niche as the explainer of all things East German to British audiences. Her latest book, Weimar: Life on the edge of catastrophe, has received rave reviews....
Today, The Tonearm's needle lands on music critic George Grella Jr. George Grella Jr. is one of the sharpest music critics working today. He's the music editor of The Brooklyn Rail...
I thought it was cheesy to project images during a concert, but it can amplify the experience.
"Songs are like rivers: each follows its own course, yet all flow to the sea, from which everything came."
Symphony Hall, BirminghamAdams’ maximal minimalism was framed by Copland’s Fanfare for the Common Man and Joan Tower’s parallel feminist statement, with Florence Price’s The Heart...
NO ONE is quite sure when the Italian Renaissance composer Palestrina was born; and this has proved a perfect excuse for anniversary celebrations two years running. The major work...
The New Zealand Symphony Orchestra principal conductor, Gemma New, picks up the baton July 9 at the Hult Center for pieces by two of America’s … Continue reading →
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