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Blake Snyder explains how deciding what is important in any story we tell—no matter how we tell it—is the writer's job. The post Best of Blake: Act Zero appeared first on Save the...
Hundreds of observations about the craft from professional screenwriters.Abrams, J.J.: “The idea that this world we know isn’t just this world we know but that a package might arr...
“Strong characters act despite their fear, not because of it.”
“It is better to fail in originality than succeed in imitation.”
“There is always a sheet of paper. There is always a pen. There is always a way out.”
“It is better to fail in originality than succeed in imitation.”Continue reading on Go Into The Story »
Written by Simon BarrettContinue reading on Go Into The Story »
“Strong characters act despite their fear, not because of it.”Continue reading on Go Into The Story »
“Sometimes you’re swinging your way through a first draft like a blind miner with a pick-axe. That’s OK. Get it done, nothing else…
In April 2015, Eric Heisserer (Arrival, Lights Out, Hours, A Nightmare on Elm Street, Final Destination 5, The Thing) shared a series of…Continue reading on Go Into The Story »
“It’s a simple thing… If you want to make a feature film, you get ideas for 70 scenes. Put them on 3-by-5 cards. As soon as you have 70…Continue reading on Go Into The Story »
“Every scene has to be doing something. It has to be moving the story along, peeling off a layer of the onion so to speak. The goal in its…
“Forget every rule Syd Field, Robert McKee or any other screenwriting guru ever taught you. Except one: Never be boring.”Continue reading on Go Into The Story »
“Sometimes you’re swinging your way through a first draft like a blind miner with a pick-axe. That’s OK. Get it done, nothing else…Continue reading on Go Into The Story »
On the lead character in the movie Hanna being a girl: “It’s what was in my head. It’s what felt right. The more I thought about it, the…Continue reading on Go Into The Story »
“The world to me is a mixture of the two. Intuition is thought and feeling working together.Continue reading on Go Into The Story »
A series of tweets delving into what goes into crafting action scenarios.Continue reading on Go Into The Story »
“Every scene has to be doing something. It has to be moving the story along, peeling off a layer of the onion so to speak. The goal in its…Continue reading on Go Into The Story »
“There is always a sheet of paper. There is always a pen. There is always a way out.”Continue reading on Go Into The Story »
“It is the task of the screenwriter to invent little pieces of business that are so characteristic and give so deep an insight into his…Continue reading on Go Into The Story »
Last month, we received the 5th film in the Toy Story series. As one of the most successful, longest-running animated franchises of all time, each film has received tremendous prai...
“Very early in my career, something clicked for me. I remember writing the line in Gladiator, ‘Are you not entertained?’ that Maximus says…Continue reading on Go Into The Story »
“It is true, of course, in an important sense, that a character exists only in his emotions and sensations. Without the expression of…
We talk a lot about how you shouldn't be on the nose in your writing or direction. For the most part, that means not having your characters deliver their exact feelings or telling...
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