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Recent items include:

  • David Hockney’s Hidden Depths
  • Through the Looking Glass
  • Contrapposto by Dave Eggers review – this portrait of an artist falls flat

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Fresh articles and ideas

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newyorker.com /4 weeks ago

David Hockney’s Hidden Depths

Remembering a master of color and light who understood life’s shadows.

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nybooks.com /3 weeks ago

Through the Looking Glass

A dispatch from the Art Editor

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theguardian.com /1 week ago

Contrapposto by Dave Eggers review – this portrait of an artist falls flat

The story of a lifelong friendship between two art-world mavericks from the working-class midwest is disappointingly piousDave Eggers, the author of more than a dozen novels as wel...

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nybooks.com /3 weeks ago

Figuring

In the “At the Galleries” column from our June 25, 2026, issue, Lovia Gyarkye writes about an exhibition of work by the British artist Lynette Yiadom-Boakye at the Jack Shainman Ga...

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realclearreligion.org /1 month ago

Graham Platner and the Amoral Center

Ross Douthat, The New York Times A world where Talarico disappoints and Platner cruises, on the other hand, will suggest the resilience of what Donald Trump revealed — not just a...

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nybooks.com /1 week ago

Is the Artist Present?

By transforming her own old paintings into new works of art, Eliza Douglas raises questions about sincerity and cynicism.

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nybooks.com /3 weeks ago

No One

     

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variety.com /2 weeks ago

‘House of Criticism’ Review: A Pensive and Touching Portrait of Married Art Critics Jerry Saltz and Roberta Smith (It Is...

The way art connects (and saves) these two on a daily basis is its own idiosyncratic story, and it speaks to a certain vanishing culture of passionate New York literary brainiacs t...

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theguardian.com /1 month ago

Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time

Newport Street Gallery, LondonWhite may be a talented musician but as a visual artist, he’s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this...

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allaboutjazz.com /1 month ago

Johnathan Blake: 'My Life Matters'—Genesis of a Small Masterpiece

Johnathan Blake is among the most authoritative drummers on today's international jazz scene. His playing embodies the energy, sophistication and restless curiosity of contemporary...

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theguardian.com /1 month ago

‘It’s like a Ouija board – I listen to the painting’: the supernatural art of Sanya Kantarovsky

The Russian-born artist’s work can hypnotise, deceive or even transform into a mushroom. He talks about his Venice show full of Christian iconography and haunting depictions of chi...

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theguardian.com /1 month ago

Terry Winters review – flashes of magic in patterns science has yet to explain

Modern Art, LondonThe mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical worl...

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newyorker.com /1 month ago

A Wondrous Array of Boundary Pushers at SummerStage

Also: Lucy Sante’s poignant humor, American Ballet Theatre’s summer season, the incisive melodrama of Satyajit Ray, and more.

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nytimes.com /1 month ago

Framing David Hockney’s Greatest Art

Whether in Los Angeles, in his native England or traveling the world, the artist always reinvented the world he saw, with psychological insight.

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observer.com /1 week ago

One Fine Show: “Pierre Huyghe” at Fondation Beyeler

Huyghe makes art that implies our current moment is a little too stupid to be engaged with, unless through several layers of substances, technology and irony.

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observer.com /3 weeks ago

In Alison Chernick’s ‘House of Criticism,’ Jerry Saltz and Roberta Smith Step Out From Behind Their Bylines

“Every debate I’ve had with Roberta, she’s right,” Saltz told Observer. “I’ve tried to contribute to her work, hundreds of pieces, but I’ve never gotten anything in, because she’s,...

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theguardian.com /1 month ago

‘Hyper-stylised, ultra-cool visions’: 10 ways David Hockney changed art

He pushed landscape painting into the stratosphere, demolished one-point perspective, invented the Los Angeles look, embraced iPads, created dazzling stage sets for theatre and ope...

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theparisreview.org /1 month ago

Idiots: On Munch and von Trier

“Not direct access to reality, of course, but a different kind of access.”

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vulture.com /1 month ago

What David Hockney Saw

He leaves behind a way of looking that makes the world larger, brighter, stranger, and more alive.

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newyorker.com /1 month ago

The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies

The women pop up again and again, in canvas after canvas, like a random intrusive thought that refuses to go away, or a masturbatory fixation that both disturbs and excites.

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theguardian.com /1 month ago

Project a Black Planet review: spits out dreary academic theory where it should sing

Barbican, LondonThis exhibition is so in love with the theoretical whimsy of utopian Panafrica that it loses superb artworks in an indigestible intellectual stewLynette Yiadom-Boak...

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nytimes.com /1 week ago

The New, Unsustainable Art World

Readers respond to a guest essay by a former global art director about the struggles that galleries face.

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churchtimes.co.uk /1 month ago

Viewpoint with Andrew Brown: Why we struggle to distinguish AI from the real

CHARLES ARTHUR posts an indispensable round-up of technology stories every weekday morning, which is valuable because he is voraciously curious about everything except gadgets for...

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newyorker.com /1 month ago

Briefly Noted Book Reviews

“Into the Wood Chipper,” “Transcendence for Beginners,” “Paradiso 17,” and “The Monuments of Paris.”

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allaboutjazz.com

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