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Bold lineup of world premieres, musical celebrations, and American classics continues to position Baltimore as a home for what’s next in American theater.
A yearlong, citywide storytelling collaboration culminates in a new immersive theater production presented by Baltimore Center Stage, Third Space at Shaarei Tfiloh, and Oh to Dream...
Featuring over 50 performances of 12 shows across two weekends, Charm City Fringe has something for everyone.
Sally Boyett directs and choreographs a fun tribute to the pains and joys of theater life. By CHARLES GREEN
Spanning horror, historical drama, and Shakespearean comedy, season explores the fragility and strength of human nature.
‘Maybe it’s a triple-down’ The post In an act of artistic defiance, Baltimore Center Stage stays focused on DEI appeared first on Washington Blade: LGBTQ News, Politics, L...
Christopher Durang’s Tony-winning Vanya and Sonia and Masha and Spike gets a lively, laugh-filled staging in Baltimore. The post Everyman’s “Vanya and Sonia…” Delivers Big Laughs a...
Season includes the opening of Olney's new Bernard Family Theatre, collaborations with Round House, Synetic, and ArtsCentric, and much more.
In joyful celebration of Compass Rose Theater’s 15-year history, six actors and a pianist sing medleys and songs from previous productions. By CHARLES GREEN’
Just weeks before the United States' 250th birthday, Suzan-Lori Parks' bold, dark, and witty look at how U.S. history is told makes its timely regional premiere.
In this cheerful, comic, and touching musical, the excitement comes in the voices. By JENNIFER GEORGIA
New opera drawn from South Asian literature to premiere in June with performances in DC and Baltimore.
Audiences are transported to Oz with a wonderful night of music, laughter, and friendship. By ISABELLA ARTINO
The visuals are lush and stunning. The performances are stirring. The production is truly charming and lovely to look upon. By CYBELE POMEROY
Thoughtful direction, committed performances, and cohesive design create a production that feels both entertaining and meaningful. By CONSTANCE BEULAH
In Ken Ludwig’s farce, the Music and Drama Club offers a night of right songs, wrong plays, mistaken identities, and wardrobe malfunctions. By LIANA OLEAR
In an age of profound distrust, the show’s ability to bring a crowd of strangers together for a personal experience is, in itself, a brilliant thing. By MORGAN FEDDES SATRE
At Greenbelt Arts Center, the 1890s biblically inspired tragedy becomes a 1990s comedy skewering racial, sexual, and power dynamics. By HANNAH ESTIFANOS
Director Francesca Zambello and her WNO team have created a show with the highest production values. By SUSAN GALBRAITH
Shen Yun’s return to Baltimore drew enthusiastic praise from audiences and officials alike, highlighting the performing troupe's artistic excellence and portrayal of traditional Ch...
This is above all an actors’ play, and the level of acting in the production does full justice to Albee’s words and characters. By BOB ASHBY
I love Oklahoma, but, truthfully, there are times when parts of it can be too much... for example, Kevin Stitt. Ugh. Whenever I feel this way, I tell the boss I’m checking out, cas...
Season lineup of five productions traverses centuries and continents to explore friendship, identity, love, and the transformative power of human connection.
The final show directed by retiring artistic director Vincent M. Lancisi does Christopher Durang’s hilarious comedy justice. By VICTORIA SOSA
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