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Atwood's staff share the music they've been listening to in the moment. This week's roundup includes Medium Build, Phoebe Bridgers, Similar Kind, Erick the Architect, The Stanford...
Warm guitars, velvety vocals, and optigans: Inside Worthitpurchase’s new era and the story behind “Postcard,” a richly textured reverie full of plain-spoken poetry, shadowy atmosph...
Atwood's staff share the music they've been listening to in the moment. This week's roundup includes Charlotte OC, MARIS, LIFE, Olivia Rodrigo, Anie Delgado, Molly Stone, Johnny Bl...
Atwood's staff share the music they've been listening to in the moment. This week's roundup includes Valley, Nico Cann, Tom Odell & The Lumineers, Dollpile, Bandits on the Run,...
Montreal art-rock band Museums channel youthful urgency, tangled guitars, and infectious melodic momentum into their forthcoming six-song EP 'This Can’t Be It.' Growing out of thei...
Atwood's staff share the music they've been listening to in the moment. This week's roundup includes Tank and the Bangas, Death Cab for Cutie, Luke Spiller, Francis of Delirium, Aj...
On his debut album ‘Orchid,’ indie artist Matt Hansen doesn’t shy away from the uncomfortable parts – or pretend everything works out in the end. Instead, he lingers in the messy m...
Atwood Magazine’s writers dive into Melanie Martinez’s ambitious and unsettling fourth studio album ‘HADES,’ a mythic pop descent through power, violence, commodification, and coll...
Atwood's staff share the music they've been listening to in the moment. This week's roundup includes Master Peace, Maisie Peters, Post Sex Nachos & BAILEN, Balming Tiger, Dan B...
Magdalena Bay proved they’re truly otherworldly with the...
Nashville indie folk trio verygently wrestle with the aftershocks of an unhealthy relationship on their softly smoldering, quietly anthemic “STRONGER THAN THAT,” a raw, radiant ear...
For over a decade, Los Angeles indie-rock quartet Atta Boy—composed of high school friends Freddy Reish, Eden Brolin, Lewis Pullman, and Dashel Thompson—has occupied a remarkably c...
London-based artist Jordan Joy opens up to Atwood Magazine about her pivot from CEO to songwriter, her journey of self-discovery through art and social activism, and the inspiratio...
The best songs can't always be recreated. Singer/songwriter Ryann Ross joins Atwood Magazine to discuss ‘On the Marsh,’ lightning-in-a-bottle recordings, heartbreak, and why follow...
Philadelphia-based Planette Automatic juggle bubbly instrumentals and sorrow-soaked poetry in "Dance Around," a Y2K-tinted art rock reverie that roars through lust, chaos, and soci...
From ‘The Voice,’ to the road, to the recording booth, bodie has covered many bases lately – but his beloved family back home will always come first.
Atwood Magazine catches up with Catskills singer/songwriter Hannah Cohen to discuss her devastatingly beautiful new single “Golden Chain,” life beyond chaos, and the quiet rhythms...
Nymphlord’s Tia Rabinovitz transforms the fluorescent ache of the workday into a cathartic act of artistic self-claiming on “Garden,” a dreamy indie rock standout from her bold, be...
Acclaimed singer/songwriter Skylar Grey chats with Atwood Magazine about the childhood memories and nostalgic “bubble grunge” textures behind her sixth album, ‘WASTED POTENTIAL,’ a...
April + VISTA reshape tradition into revelation on their boundary-pushing debut album ‘Traditional Noise,’ a breathtaking record that fuses raw experimentation with soul, rock, R&a...
London-based singer/songwriter Marigo Bay embraces the highs, lows, angst, and self-discovery of coming of age on her debut album ‘Racecars & Rockstars,’ a full-throttle pop-ro...
West Texas trio Oakwood's long-awaited debut album ‘Blurred Away’ brings 2010s emo to a mature place, with a healthy dose of nostalgia and reflection.
London’s Olive Wreath is watching a picture-in-picture livestream in the back of your head, and with her studio debut “cold warm green blue,” she’s unearthing memories we didn’t kn...
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