Can Rock Royalty Really Make Art Worth Owning?
Less partisan collectors shouldn't automatically shy away from paintings and sculpture crafted by big-name musicians, though caution is advised.
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Less partisan collectors shouldn't automatically shy away from paintings and sculpture crafted by big-name musicians, though caution is advised.
King Charles’s paintings may not impress some art critics, but they are certainly popular
This career-spanning exhibition in Venice was inspired by the role religion played in classical art history.
By transforming her own old paintings into new works of art, Eliza Douglas raises questions about sincerity and cynicism.
Modern Art, LondonThe mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical worl...
“Every debate I’ve had with Roberta, she’s right,” Saltz told Observer. “I’ve tried to contribute to her work, hundreds of pieces, but I’ve never gotten anything in, because she’s,...
No living sculptor navigates material beauty and political weight with quite the same restraint.
Beyond exceptional trophy objects, the Classics market proved selective and unforgiving: several Old Master works needed the premium to reach low estimates while others failed to s...
Barbican, LondonThis exhibition is so in love with the theoretical whimsy of utopian Panafrica that it loses superb artworks in an indigestible intellectual stewLynette Yiadom-Boak...
American artist and designer Louis Comfort Tiffany was an avid buyer, as was famed architect Frank Lloyd Wright and singer Elvis Presley.
This artist looked life square in the face, and painted it in all its beauty and viscerality.
"Art Basel remains the most important fair of the year… It starts strong, and it stays strong."
The white cube created an environment of concentration and contemplation that reinforced the idea of art as an autonomous sphere separated from everyday life, but what was once its...
The artist behind what might be the best-selling print in modern history has spent three years calling out what he sees as the art world's most enduring con.
Many gallerists are questioning the fundamentals of their business. It’s as if the art world they know has fallen off its axis.
Take a look at some editorial cartoons from across the U.S. and world.
At the Park Avenue Armory, art history was written and recontextualized in real time.
Art, says dealer Georges Bergès, belongs to only one world—the one we all wake up in—and it was never meant to be elitist, exclusionary or as harsh and judgmental as it has become.
About a third of the way through Alison Chernick’s wonderful little documentary “House of Criticism,” Jerry Saltz, the current New York Magazine art critic and former Village Voice...
Readers respond to a guest essay by a former global art director about the struggles that galleries face.
Works made after an artist's death fall into a fascinating gray zone, but that doesn't mean they're not a good buy.
Image by Carl Van Vechten, via Library of Congress and Wikimedia Commons We may be conditioned to offering an opinion at the push of a button, but before venturing on the question...
PLGR is a digital painter who self-describes as a “third rate artist with a fourth rate brush” — a self-deprecating tagline that sits in ironic contrast with a genuinely strong, ex...
An exhibition in Florence that pairs his giant canvases with Renaissance religious art brought me to the edge of tears. It is the perfect refuge from the infinite scrollAs an unbap...
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