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What I love most about Sergei Rachmaninoff's "Lilacs" is how beautifully it captures the quiet intimacy at the heart of art song.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
Hans Hotter masterfully captures the poignancy of this sublime Brahms Lied.
With youthful abandon, Ms. Feola interprets an old chestnut.
Rosa Ponselle is the singer who had it all.
This prompt of "favorite art song performance" seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
"You're your own boss."
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie's “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
To celebrate the 100th anniversary performances of Turandot at the Met starting next week, Patrick Dillon gives a listen to seven versions of "Signore, ascolta!" for Perspectives o...
Bass-baritone Le Bu’s recital with Vocal Arts DC highlighted his linguistic and timbral versatility.
Conductor Eun Sun Kim and soprano Elza van der Heever play to their strengths in a piercing revival of Elektra at San Francisco Opera.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: Song competitions can be the death of art appeared first on Slippedisc.
LISTEN to a Nightingale, singing solo at 3am on a May morning, and you can understand why no other bird has inspired more poets, writers and romantics.
New opera drawn from South Asian literature to premiere in June with performances in DC and Baltimore.
The new opera, composed and directed by Timothy Nelson, is complex, cerebral, and honest. By ZOE WINSKY
The Bronx Opera's Ariadnes auf Naxos is well worth the subway ride. Plus, two strong premieres at the Brooklyn Art Song Society.
The composer’s work, featured at a recent festival in Germany, includes a howling denunciation of war crimes against children.
Robert Morton - Le Souvenir De Vous Me TueGothic Voices (Ensemble)
Klaus Mäkelä unexpectedly joins the foray for The Cleveland Orchestra's performances of Benjamin Britten’s War Requiem.
The latest release by Snowk, “Soen” is an immersive sonic voyage characterized by glistening arps, lush atmospheres, and a plethora... The post Snowk – Soen appeared first on Stere...
This birdsong-like piece is étude No. 22 from Italian flutist and composer Ernesto Köhler's 25 Romantic Studies, Op. 66.
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