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Recent items include:

  • Art review: Sacred Resonance by Renaud Muraire (Canterbury Cathedral)
  • Art review: Art in the Service of Faith (Sam Fogg, London)
  • Expressive, Atmospheric, And Honest: The Visual World Of Pluviumgrandis

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churchtimes.co.uk /6 days ago

Art review: Sacred Resonance by Renaud Muraire (Canterbury Cathedral)

CONTEMPORARY fashion is often sold on the premiss of expression of the wearer’s individuality and yet, through mass production, essentially anonymises that same individual by makin...

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churchtimes.co.uk /3 weeks ago

Art review: Art in the Service of Faith (Sam Fogg, London)

TURNING the corner from Cork Street into Clifford Street, in the heart of Mayfair, in London, you find a window display of a single medieval tile. It is richly glazed and deeply mo...

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designyoutrust.com /2 weeks ago

Expressive, Atmospheric, And Honest: The Visual World Of Pluviumgrandis

PLGR is a digital painter who self-describes as a “third rate artist with a fourth rate brush” — a self-deprecating tagline that sits in ironic contrast with a genuinely strong, ex...

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glasstire.com /2 weeks ago

An Art Review By An Interested Houston Seventh Grader

Note from longtime Glasstire contributor, Betsy Huete: As part of an initiative to inspire competition and rigor in arts writing in education, one of my student’s written pieces wi...

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glasstire.com /4 weeks ago

Review: “Words Matter” at Arthouse, Marble Falls

“I feel real when you hold me” “Protect me from what I want” “the field” “Breath as a Boundary” All these phrases appear in Words Matter, the inaugural exhibition at Arthouse in Ma...

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theguardian.com /1 month ago

Terry Winters review – flashes of magic in patterns science has yet to explain

Modern Art, LondonThe mathematically named new works of Along the River are disorienting, illusive and seem to offer a flash of the secret sequences that underpin the physical worl...

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observer.com /1 month ago

One Fine Show: “Zurbarán” at the National Gallery in London

This artist looked life square in the face, and painted it in all its beauty and viscerality.

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observer.com /5 days ago

One Fine Show: “Deep Cuts, Block Printing Across Cultures” at LACMA

With everything from Japanese prayer scrolls printed in 764 to a rare 1906 Brücke Manifesto to Alison Saar's woodcuts, the exhibition presents block printing as the most underestim...

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observer.com /1 month ago

Barry X Ball Connects the Secular and Sacred in “The Shape of Time”

This career-spanning exhibition in Venice was inspired by the role religion played in classical art history.

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glasstire.com /4 weeks ago

Review: “Richard Jordan: Final Painting” at McLennon Pen Co., Austin

There is a thrill walking through a major museum’s collection ticking off in your head the art you’re viewing — De Kooning, Kiefer, Schnabel, Synder, Marshall, Tuttle, Mehretu, Doi...

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glasstire.com /1 month ago

Review: “The Violence of Armor” by José Villalobos & Keith Michael Murphy at Presa House Gallery, San Antonio

Dried tumbleweeds stand stacked like a tower reminiscent of a Christmas tree, with childhood photographs meticulously placed in between the thorns of the sculpture. Nopales sourced...

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artsyshark.com /1 month ago

Featured Artist Zshu-Zshu Mark

Featured artist and painter Zshu-Zshu Mark presents a portfolio that ranges from luminous watercolors to bold abstraction. The post Featured Artist Zshu-Zshu Mark appeared first on...

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reviewjournal.com /1 month ago

CARTOONS: What makes it modern art

Take a look at some editorial cartoons from across the U.S. and world.

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designboom.com /1 month ago

lisa yuskavage’s soft bodies and studio worlds are a colorful contemplation on painting

at david zwirner, the american artist's works become imaginative gatherings where time warps and folds back on itself, collapsing spatial and temporal boundaries. The post lisa yus...

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observer.com /1 month ago

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

Newly considered thematic links between the Portuguese-British artist and Edvard Munch anchor the Norwegian museum's landmark survey.

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churchtimes.co.uk /1 month ago

Art review: Van Dyck, the European (Palazzo Ducale, Genoa)

THE architect Andrea Ceresola, called Il Vannone (d.1619), built over an existing city house for the doge of Genoa, transforming it into a grander palace in the 1590s and 1600s. A...

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nybooks.com /1 week ago

Is the Artist Present?

By transforming her own old paintings into new works of art, Eliza Douglas raises questions about sincerity and cynicism.

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glasstire.com /1 month ago

Review: “Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen” at the Museum of Fine Arts, Houston

Eighty-nine artworks from the collection of the Museum Berggruen are now on temporary exhibition in the Beck Building at the Museum of Fine Arts, Houston (MFAH) in the show Picasso...

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vulture.com /1 month ago

Seeing Red

The art world is buzzing after the spring auction frenzy. But I only feel grief, like something is dying.

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newatlas.com /1 month ago

Review: Fraimic canvas sucks AI art out of virtual and into real life

Fraimic wants to turn AI art into something you can put on your wall, rather than forgotten images somewhere in your phone's gallery. And honestly? That's a pretty neat idea.

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observer.com /1 month ago

One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

Decades ago, a single magazine feature shaped the world's perception of Pacific Northwest art; this exhibition offers a long-overdue reassessment.

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glasstire.com /1 month ago

Review: “Daniel Rios Rodriguez: Open this Wall” at Ruby City, San Antonio

Open this Wall at Ruby City’s Studio annex presents an ensemble of paintings by Texas artist Daniel Rios Rodriguez. It’s an autobiographical body of work largely informed by the ar...

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observer.com /1 month ago

Francesca Mollett’s Architecture of Abstraction

In “Buried Shadow” at GRIMM, she transforms memory, matter and perception into tableau vivants in which light, color and form shift under the eye.

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churchtimes.co.uk /1 month ago

Art review: Elizabeth I: Queen and Court at Philip Mould & Company, London

HISTORIANS of the Church in England write of the First and Second Prayer Books of Edward VI (1549 and 1552) and of the Elizabethan Prayer Book of 1559. But no one calls what we kno...

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