Edmondo and Michele di Robilant Chart a Course for Robilant with Old Masters and New Names
The gallery will balance its Old Master and modern legacy with a contemporary program shaped by Michele.
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The gallery will balance its Old Master and modern legacy with a contemporary program shaped by Michele.
"This is really the sense of what a gallerist is, rather than an art dealer: you put together shows, you put together catalogs, you actually contribute something to art history." C...
The founder and director of La Finca Collection Strategies believes that the next great art-market opportunity lies in knowing how, when and where to sell.
A wave of New York dealers are leaving galleries to start their own agencies with new ideas about how to build their clients’ careers.
Many gallerists are questioning the fundamentals of their business. It’s as if the art world they know has fallen off its axis.
This year’s London Gallery Weekend reaffirmed the centrality of London's art scene, even as it exposed a persistent lack of coordination between the city's commercial and instituti...
Works made after an artist's death fall into a fascinating gray zone, but that doesn't mean they're not a good buy.
To demystify this fast-growing corner of the market, Observer spoke with more than a dozen galleries, publishers and artists in New York and Los Angeles.
Christie’s Zabludowicz sale met expectations, while Phillips’ more globally diverse offerings demonstrated that priority bidding can still secure buyers in this more disciplined ma...
These are the lots worth watching.
From French postwar design and American studio craft to ceramics, Tiffany lamps and contemporary collectibles, buyers at Sotheby's and Phillips pursued rarity in all its forms.
Beyond exceptional trophy objects, the Classics market proved selective and unforgiving: several Old Master works needed the premium to reach low estimates while others failed to s...
After four years of uneven sales, the auction houses engineered a successful season by redefining the expectations of buyers and sellers—and avoiding flops.
Single-owner offerings drove much of this season's growth, accounting for nearly a third of total auction sales value.
At the Park Avenue Armory, art history was written and recontextualized in real time.
Art, says dealer Georges Bergès, belongs to only one world—the one we all wake up in—and it was never meant to be elitist, exclusionary or as harsh and judgmental as it has become.
What advisors need to know.
Avant Arte’s “A Changing of the Guard” report and Georgina Adam’s new book make the case that younger audiences are not consuming culture only to own, display or accumulate; they a...
The evening closed with a 97 percent sell-through rate, as deep bidding, prearranged guarantees and irrevocable bids kept the rhythm going over a two-hour marathon session.
When a father and daughter pleaded guilty to selling more than 200 counterfeit works by Banksy, Picasso and Warhol, the criminal case was largely resolved. The fate of the painting...
While the usual sense of urgency was lacking, dealers reported that collector response on opening day was solid.
A challenging art market is forcing even an established player to contract.
Its the elderly widows antiques that they vulture over now...
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