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Arri's first camera launch in its new ownership era has arrived, and it's the Arri Alexa 35 Live Xtreme. [Read More]
Big news for ARRI shooters: the company has announced a new SUP 1.2.2 update that is set to add performance boosts for those working with NIA-1 interface adapters and the Hi-5 and...
Northwest Camera Co.’s Aureus/Nikkor V35 project is their newest tuning for the Nisi Aureus set. According to the company, the look of the set was designed to emulate the aesthetic...
For the first time, the Eurovision Song Contest was shot entirely on cinema cameras, and as part of our ARRI x CineD Media Cooperation at Eurovision, I spent more than six weeks on...
P+S Technik has introduced HEXAMO, a dedicated mount system that enables Leitz HEKTOR Cine Prime lenses to be used on the ARRI ALEXA platform. The HEKTOR lenses were originally dev...
Sony has announced that it is developing the RIALTO 65, a new 65mm format-capable image sensor block for the VENICE 2. It is expected to be available in the first half of 2027. It...
While everyone loves a new ARRI camera announcement, this one is most likely to appeal to those who work in live production workflows. Still, a new ARRI camera is a new ARRI camera...
Sony has announced the RIALTO 65, a modular 65mm format sensor block for the VENICE 2 camera. A first-half 2027 release is targeted; the unit debuts at Cine Gear Expo in Los Angele...
Analog filmmakers struggling with aging and hard-to-repair 16mm film cameras can now eagerly anticipate the release of the Cinelux Sixteen, a hybrid 16mm and HD digital camera...
ARRI has released the ALEXA 35 Live Xtreme, a broadcast camera that outputs high frame rate (HFR) footage of up to 8x in HD or 2x in UHD over standard SDI workflows, without requir...
The Cinelux SIXTEEN prototype is a hybrid Super 16 camera that exposes film and captures a 3K digital image in a single shutter revolution. Shipping is targeted for 2027 at under t...
Sony has revealed the development of RIALTO 65, a new 65mm format-capable image sensor block that turns existing VENICE 2 camera bodies into a large-format digital cinema platform....
Ancient Optics has announced its new STATERA Anamorphic 90-180mm T3.2, 1.5x squeeze, full-frame zoom that features a true front-anamorphic design. Ancient Optics’ new challenge is...
ARRI has agreed to sell its global rental operations in Europe, the United Kingdom, and North America to the division’s existing management team, backed by private equity firm H2 E...
ZEISS has unveiled its new Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses that were designed to deliver a distinctive look along with a fully int...
Leica has announced the Leica Cine Compact 1, a new compact, versatile mini projector. Leica promises state-of-the-art laser projection inside a compact, easy-to-use design. It bui...
Cooke, a legendary name in cinema lenses, has announced the AP3 FF lenses, a new series of 1.5x anamorphic lenses designed specifically for full-frame mirrorless cameras. [Read Mor...
ARRI has released the ALEXA 35 Live Xtreme, a broadcast camera that pushes high frame rate output of up to 8x into live productions over traditional SDI, no separate high-speed cam...
In a very interesting move, ARRI has entered into an agreement to sell its global rental activities in Europe, the United Kingdom, and North America to H2 Equity Partners as part o...
Cooke has launched the AP3, a three-lens 1.5x anamorphic series in 35mm, 50mm, and 85mm, aimed at mirrorless camera users. Pricing starts at $7750 per lens.
Kipon has introduced a new Variable ND PL adapter for Sony and Nikon mirrorless cameras, and it looks pretty nifty. It is the world's first professional PL mount adapter with an in...
Sirui has introduced three new focal lengths in its IronStar Full-Frame 1.5x Anamorphic Lens series. The new lenses are the 75mm T1.9, 100mm T2.8, and 135mm T2.8. These three new f...
Hollyland's Astra P1 PTZ is now on sale at $1,999, offering 4K60 imaging, 30x optical zoom, AI tracking, and a bundled NDI|HX3 license.
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