Arri’s New Alexa 35 Live Xtreme Aims to Transform Sports Broadcasts
Arri's first camera launch in its new ownership era has arrived, and it's the Arri Alexa 35 Live Xtreme. [Read More]
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Arri's first camera launch in its new ownership era has arrived, and it's the Arri Alexa 35 Live Xtreme. [Read More]
Academy Award–winning cinematographer Claudio Miranda, ASC, ACC (Life of Pi, Top Gun: Maverick, F1), put the new Sony FX5 to the test. Claudio returned to a location he has frequen...
Looking to boost some of the more popular ARRI ALEXA cameras currently used by high-end cinematographers and working film and video crews?Well, you’re in luck, as there’s a new foc...
While everyone loves a new ARRI camera announcement, this one is most likely to appeal to those who work in live production workflows. Still, a new ARRI camera is a new ARRI camera...
HONOR has launched the Robot Phone, the first device to carry ARRI’s “co-engineered with ARRI” designation, pairing a 200MP gimbal-mounted main camera with 10-bit ARRI LogC3 record...
In 2017 we asked cameras for selectable looks and a reliable path into post. Can we say we have it now?
HONOR’s upcoming Robot Phone, which is claimed to feature ARRI Color Science, was shown at the company’s Imaging Technology Launch Event. The Robot Phone is an interesting concept...
Chemical Wedding has built its Helios Live-View sun-position tool into Artemis Director's Viewfinder, combining previsualization and lighting planning in one app later this month.
ARRI’s Reference Tool Viewer 0.9.0 is now available to download. Version 0.9.0 adds drag-and-drop clip loading, ARRICORE and Apple ProRes MXF support, MXF clip recovery, embedded l...
Big news for those interested in high-end lighting for their film and video projects, as ARRI has announced that the latest update for the company’s Lighting Operating System (LiOS...
Shooting in a specialized format requires specialized tools.
Teledyne Launches Linea HS2 8k Camera For ultrahigh-speed imaging in low-light conditions Mark Hembree Mon, 06/29/2026 - 12:02 Off...
ARRI has a CPO Summer Sale that is running from July 31 until September 14. The campaign offers a unique opportunity to access high-quality ARRI equipment from the CPO (Certified P...
Well, after months of teasers and reporting, that weird ARRI x HONOR Robot Phone camera thing is now officially alive—in China at least.The companies have issued press releases ann...
Atlas Lens Co. has posted up a video showing what their Mercury Series 1.5x anamorphics look like when used with the new Sony FX5. The test footage showcases a practical lens test...
Well, this is a camera-and-lens combination we’re looking forward to seeing the cinematic results of. Spoilers: it looks awesome. Ever since the Sony FX5 was first officially annou...
CINELUX has recently teased what could be the first focal reducer for the ARRI ALEXA Classic/XT/SXT: the REDUXA A1. While still in a very early prototype stage, the A1 should work...
Sony's new FX5 records 16-bit XOCN raw internally, a codec that until now lived only in the Burano, Venice, and Venice 2. Squeezing that into a compact cinema body reshapes what yo...
ARRI has released the ALEXA 35 Live Xtreme, a broadcast camera that pushes high frame rate output of up to 8x into live productions over traditional SDI, no separate high-speed cam...
Every once in a while a lab test comes along that forces us to rewrite our own charts. This is one of those weeks. With the embargo on the DJI Osmo Pocket 4 Pro now fully lifted, w...
P+S Technik has introduced HEXAMO, a dedicated mount system that enables Leitz HEKTOR Cine Prime lenses to be used on the ARRI ALEXA platform. The HEKTOR lenses were originally dev...
Vadzo Imaging has released the Falcon-522CRS, a AR0522 5MP color USB camera built on the Onsemi AR0522 image sensor with a 2.2 µm pixel architecture selected for low-light imaging....
PixelTools has released HDR Toolkit. If you are generating dual deliverables (SDR and HDR) for a current project or remastering catalog titles from an archival SDR master, moving a...
Given the option, most of us would probably jump at the opportunity to shoot something on film stock. There's just something about the color, the depth, the grain, the jitter that...
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