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She was among the few women critics when she started out in 1995, and was the reviewer for the Washington Post for 23 years.
Film critic Ann Hornaday has died. As chief film critic for The Washington Post, she was a respected and passionate voice in the world of cinema. She was also a longtime regular on...
In a compendium of films charting style over substance, Anna Biller’s first film in ten years would make for an all-encompassing starting point. Pilfered from ’60s Technicolor slas...
This harrowing fictionalization of the Danish resistance’s witch hunts will make you despair for humanity.
A Social Network follow-up, the real-life origin story of the movie Rocky, and more movies our critics are looking forward to this fall.
Lily McInerny stars with Jake Lacy and Lukita Maxwell in Alexandra Pechman's directorial debut, following an aspiring poet who interns at a prestigious literary mag in 2010s New Yo...
No matter your opinion of her politics or her recent claims that she’s been blacklisted in Hollywood, few would argue that Susan Sarandon’s opportunities have languished on the big...
Horror movies about “obsession” are all the rage these days, ever since actress Inde Navarrette and director Curry Barker crafted their mega-hit... The post Who’s Watching first ap...
Buzzing with the sound of dial-up internet and the hum of grainy VHS tape, Lance Oppenheim’s Primetime, about Chris Hansen and his Dateline NBC series To Catch a Predator, identifi...
In Aaron Sorkin’s overwritten sequel to “The Social Network,” inspired performances by Mikey Madison and Jeremy Allen White can’t bring the main characters to life.
Digital-age Australian psychodrama tracks the shut-in mania of dangerously disaffected male fan, but doesn’t get inside his mindIf the parasocial phenomenon is a kind of hell, then...
Long before the relevant authorities do, you’ll figure out the secret that immigrant homemaker Hermine Ryan (née Braunsteiner) holds close to her chest in “The Housewife” — a givea...
Behemoth! under-utilizes the talented Olivia Wilde and Eva Victor.
Both movies have Mikey Madison dressing up like a sex worker. Only one of them does it for a good reason.
This week's column features new releases on streaming and digital rentals, including Disney's latest live-action and the latest DC movie.
The melodramatic power of Dakota Johnson and Anne Hathaway is squandered in a romantic tale that’s ludicrously muddled by suspicions of monstrous misdeeds.
Film critic, author, and horror expert Alexandra Heller-Nicholas writes about taking her teenage son to see “The Only One,” and reigniting some classic Aussie horror hits and endur...
An obscure author is hired to ghostwrite for a catatonic lit phenom in a Colleen Hoover adaptation that explores the stories we tell ourselves about other people.
This Venice competition entry from director May el-Toukhy ('Queen of Hearts') revolves around a maid whose past threatens to unravel her future in the wake of World War II.
“VisionQuest” does many things, but it’s never boring.
Jessica Chastain’s new horror film has some fun imagery and some troubling ideas, but it doesn’t know what to do with any of it.
A shape-shifting Elizabeth Holmes doc, a star vehicle for Mahershala Ali, and new gems from Mike Leigh and Lee Chang-dong were among THR reviewers’ 13 favorite world premieres out...
It's one of the most immaculately designed war films you're likely to see this year, with an enveloping use of environment and atmosphere. But when it comes to filling that space w...
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