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I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I was a huge fan of Anna Netrebko.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Rosa Ponselle is the singer who had it all.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
With youthful abandon, Ms. Feola interprets an old chestnut.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The complete presentation, calendar and production details of the full Royal Opera 2026-2027 Season.
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
The Met-banned soprano Anna has a new best... The post Anna Netrebko invites us into her lovely home appeared first on Slippedisc.
Nadine Sierra's Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi's lines were being discovered in the moment rather th...
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
What I love most about Sergei Rachmaninoff's "Lilacs" is how beautifully it captures the quiet intimacy at the heart of art song.
A mezzo-soprano from Stockholm, Rebecka Wallroth, has been... The post ‘Magnificent’ young Swedish mezzo nets $32,428.74 appeared first on Slippedisc.
Thanks to Elly Ameling, I made it through college.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
While refined, Lisa della Casa sings "Four Last Songs" deeply alert to the text and with effortless vocalization that sounds fresh and spontaneous.
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