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"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
I was a huge fan of Anna Netrebko.
Rosa Ponselle is the singer who had it all.
With youthful abandon, Ms. Feola interprets an old chestnut.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
The soprano Asmik Grigorian is starring as Tatiana, one of her signature roles, in Tchaikovsky’s classic at the Metropolitan Opera.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Russell Thomas is many singers at once—and he aims to excel at them all. The Miami-born tenor, celebrated for his interpretations of Italian repertoire and, more recently, German w...
Back-to-back casts in the Metropolitan Opera's revivals of Madama Butterfly and La traviata offer ample opportunity for soprano-gazing.
Thanks to Elly Ameling, I made it through college.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
Golda Schultz casts darkness in an alluring light in an intimate recital at the New Orleans Opera Festival.
I had heard the renowned Dutch soprano on recordings and was an admirer of hers. I was unprepared, however, for such a truly memorable evening.
The Met-banned soprano Anna has a new best... The post Anna Netrebko invites us into her lovely home appeared first on Slippedisc.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie's “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Barbara Hannigan mesmerizes as both a brilliant vocalist and a proficient opera conductor in a double bill of Strauss and La voix humaine with the New York Philharmonic.
While I like both Erna Berger and Maria Stader's versions, Erna Berger brings more drama to the rendition.
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