Search fresh public links, source activity, and ready-to-use post angles for Ambrogio Maestri.
Fresh curated links around Ambrogio Maestri are collected here so marketers can spot useful updates and turn timely ideas into posts faster.
Recent items include:
Recent curated links from global sources. Generate one free draft from any story, then use SocialBu to schedule and refine your content calendar.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago's credo (1979, Met).
Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ev...
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly...
I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Bring on the drama, mama!
Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
I was a huge fan of Anna Netrebko.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d'Arco from 1951.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Web: laopera.orgContact: customerservice@laopera.orgPlayers: James Conlon, conductor; Shawna Lucey, director; Craig Colclough (bass-baritone) as Sir John Falstaff; Nicole Heaston (...
Fausto Cleva, in this glorious Fanciulla from the old Met, demonstrates all the great skills of opera conducting
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week's Grand Tier Grab Bag.
Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.
After success at the Met as Turandot and before a historic Medea, soprano Anna Pirozzi talks to Harry Rose about her voice, her repertoire, and where her "second explosion of caree...
Supported by an ingenious production and strong performances, Antonia Bembo's Ercole Amante makes a successful Paris Opera debut.
Brigitte Fassbaender’s acid-laced production of La finta giardiniera leans into the absurdities of Mozart’s early dramma giocoso.
Use SocialBu to discover ideas, generate post drafts, and schedule them across your social channels.