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Giuseppe Verdi - Celeste Aida, from AidaCarlo Bergonzi (Tenor)New Philharmonia Orchestra (Orchestra)Nello Santi (Conductor)
This supple aria starts Handel's Sonata in C major for Recorder and continuo. Despite the movement being a Larghetto in C major, it concludes with a one-bar Adagio in G major. Here...
Copenhagen-based vocalist and composer Aria Leth Schütze has shared details of a new EP under her Alto Aria moniker. Score For No Scene will be released on 23 September via the Dan...
“Libiamo ne'lieti calici” (literally, “Let's drink from the merry chalices”) is the most famous duet from Verdi's La traviata, one of the most well known fragments of opera around...
Giacomo Puccini - Love Duet, Act I (excerpt), from La Fanciulla del West Renata Tebaldi (Soprano)Mario del Monaco (Tenor)Orchestra of the Accademia di Santa Cecilia (Orchestra)Fran...
Francesco Corteccia - Io vorrei pur fuggir, crudel amoreKostas Manolkidis (Tenor)
Today we propose the second movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for suggest...
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Parterre Box offers an (almost) comprehensive introduction to the sopranos headlining Mozart productions in New York, Chicago, and San Francisco this fall.
Giuseppe Verdi - Ella mi fu rapita and Parmi veder le lagrime, from RigolettoGiuseppe Di Stefano (Tenor)Orchestra del Teatro alla Scala (Orchestra)Tullio Serafin (Conductor)
Giuseppe Verdi - Parmi veder le lagrime, from RigolettoMario Del Monaco (Tenor)Orchestra of Accademia di Santa Cecilia (Orchestra)Alberto Erede (Conductor)
Francesco Corteccia - Fammi pur guerr' amorEnsemble Nobiles (Ensemble)
Aryeh Nussbaum Cohen shows that he's at the top of a crowded pack of countertenors in two recent New York performances with Philharmonia Baroque.
Elina Garanča's aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
San Francisco goes baroque with performances of Handel's Alcina, Tolomeo, and Rinaldo.
From soaring sopranos and heroic tenors to rich baritones, powerful basses and the distinctive countertenor, discover how opera’s voice types work—and how composers use vocal colou...
Published in 1728, Antonio Vivaldi's set of six Concertos for flute was not only the first collection of flute concertos published in Italy, it was nearly the first set of flute co...
Today we propose the opening movement of a Sonata for flute and basso continuo in D major, penned by Italian Baroque composer Giovanni Platti around 1743. Thanks to Doug for sugges...
This is the opening Allegro of a Sonata in D major written for three German flutes by Johann Scherer, a German composer of the 18th century. Thanks to Joyce Kai for contributing th...
Francesco Corteccia - Caligaverunt oculi meiI Cantori di Lorenzo (Ensemble)
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week's Grand Tier Grab Bag.
Telemann's first Fantasia for Solo Flute is in the key of A major. Because the piece was designed to be played with no continuo accompaniment, the flute's single line assumes vario...
Festival d’Aix-en-Provence confronts the living and the dead — and its own future — through audacious productions and an intimate world premiere.
Lucia di Lammermoor at La Scala, starring Rosa Feola, proves as airless as this summer's heatwaves.
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