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The 2026-27 21-week Season has 48 ballets, including 24 Works by NYCB Co-Founder George Balanchine and 5 Works by Co-Founding Choreographer Jerome Robbins.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
The Dance Section of the Critics’ Circle has announced the short-listed nominations for the National Dance Awards (#NDA26).
Artistic Director Timour Bourtasenkov blends classical ballet with theatrical storytelling in his first original full-length work for the company. The production features dozens of...
The Royal Ballet is the first British company to perform the work of the contemporary choreographic duo Sol León and Paul Lightfoot.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Ballet’s past, present, and future are explored in the 2026-2027 season, San Francisco Ballet announced this week.
Graham Spicer sees La Scala’s thrilling contemporary programme: Wayne McGregor’s Chroma, Jean-Christophe Maillot’s Dov'è la luna and Ohad Naharin's Minus 16.
Sir Peter Wright Centenary on 18 June will feature highlights from the director and choreographer’s most beloved works, and a return by Carlos Acosta.
Parterre Box features the Met's current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
Kathrina Farrugia-Kriel sees Wayne McGregor: Alchemies with The Royal Ballet – This exhilarating triple bill is the very essence of alchemies of curiosity: absorbing, engaging, dar...
Jonathan Gray sees a myriad of fine performances on Mayerling's opening night, but none finer than Matthew Ball in Laura Morera's detailed revival for The Royal Ballet.
Ulrik Birkkjaer talks to Ann Haskins about staging La Sylphide for San Francisco Ballet – port de bras, jumps and mime.
Graham Watts sees Lithuanian National Ballet’s new production of Paquita with touches of genius from Manuel Legris and impressive performances from the dancers.
Alexey Shor is an American composer known for tonal, melody-driven music, including concertos, suites, and orchestral works. The post Alexey Shor: Life and Musical Journey appeare...
Diane Parkes talks to Carlos Acosta about Myths and Modern Masters, the mixed bill that he’ll present at the Royal Ballet and Opera in August.
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
Jonathan Gray sees Calvin Richardson's debut in Mayerling with The Royal Ballet – Tall, elegantly proportioned, expressive and blessed with great physical strength.
From out distinguished critic in residence: I: Cédric... The post Alastair Macaulay: Ravel emerges clearer in pink tweed appeared first on Slippedisc.
Graham Watts sees Tulsa Ballet’s ‘Made in America’ triple bill at Royal Ballet and Opera – a young, dynamic ensemble, with an overarching sense of theatre.
Graham Watts sees Rodolfo Castellanos’ Giselle with the National Ballet of Brno – a production that stands among the very best.
Lily Hyde sees BRB's Don Quixote and is impressed by the lead dancers, the orchestrations, and the design, though disappointed by the corps de ballet.
Matthew Paluch sees The Great Chevalier, in which the diva-ish Mr Chevalier shares the stage with his company's Executive Director Simone Mousset, in a work often uncomfortably clo...
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