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I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I was a huge fan of Anna Netrebko.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Graham Spicer sees the Milanese edition of Daniele Cipriani’s Les Étoiles gala and enjoyed its varied offerings, with Natalia Osipova and Aurélie Dupont stepping in at the last min...
Les Étoiles, the well-known gala format seen across Italy, returns to the Teatro degli Arcimboldi in Milan this weekend – on 11 April at 9 pm and on 12 April at 5 pm.
Graham Spicer sees Accademia Teatro alla Scala Ballet School dancers in their final show of the year, showcasing the talents of the final year students.
On 14 May, after 3 decades and tens of thousands of performances, the Royal Ballet and Opera unveils its new stage curtains as part of a Gala performance.
I have very few opportunities to see real-life opera divas, but when Natalie Dessay chose to debut her first Traviata at Santa Fe, there was no way I was going to miss it.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
La Scala announces its 2026-2027 Ballet Season with nine works, including five premieres and four new productions.
Beatrice Venezi will no longer be music director at Teatro La Fenice in Venice after the conductor's interview with the Argentine newspaper La Nación.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Anna Tomowa-Sintow, "Ernani Involami," from the MET Centenial Gala, 1983.
Mezzo-soprano Isabel Leonard as Frida Kahlo performs on stage during a dress rehearsal of "El Ultimo Sueno de Frida y Diego" at the Metropolitan Opera House in New York. — AFP
"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who...
With youthful abandon, Ms. Feola interprets an old chestnut.
The complete presentation, calendar and production details of the full Royal Ballet 2026-2027 Season.
Elisabeth Grümmer was, of course, very good at Wagnerian prayers, but she also shines in this Verdi prayer.
A personal tribute to a marvellous woman and singer from various encounters over forty years.
Jonathan Gray sees a myriad of fine performances on Mayerling's opening night, but none finer than Matthew Ball in Laura Morera's detailed revival for The Royal Ballet.
Karolina Spakowski for Ferragamo Fiamma Assoluta.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Graham Watts sees La Bayadère in Oslo where two stellar dancers shared the stage with an excellent company.
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