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From our distinguished critic in residence, Alastair Macaulay… ... The post Alastair Macaulay: Lightfooting it into midsummer appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay... The post Alastair Macaulay: Dancing with Hilary in New York appeared first on Slippedisc.
Our distinguished resident critic Alastair Macaulay reports this... The post Alastair Macaulay: It’s all change on the NY dance scene appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay… ... The post Alastair Macaulay reviews a really bad hair night at Covent Garden appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: Covent Garden’s Figaro almost comes of age appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: When all else fails, there’s always the Wigmore Hall appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay... The post Alastair Macaulay: What Mick Jagger made of Tom Stoppard appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Netrebko or Leonskaja: Tough Russian choices on the London front appeared first on Slippedisc.
Matthew Paluch sees Acosta Danza Yunior in four contemporary works but, all in all, it wasn't a very inspiring night.
Kathrina Farrugia-Kriel flavours the spirit of contemporary ballet in León and Lightfoot’s Shoot the Moon and Salle de Danse for The Royal Ballet.
Graham Spicer sees Christopher Wheeldon’s Alice’s Adventures in Wonderland in Milan – beneath the spectacle is a quiet emotional core.
Graham Watts sees New Futures from Ballet Nights, featuring 150 dancers from seven leading dance schools, but it needed pruning and better management.
Graham Watts sees Ashton’s Birthday Offering, Jooss’s The Green Table and Balanchine’s Theme and Variations – an excellent programme to close a very good year at BRB.
Matt Paluch sees four contemporary works performed by Phoenix Dance Theatre, with Pett Clausen Knight’s Small Talk showing substance over style.
The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notabl...
Graham Watts sees A Life in Four Seasons – there was much to admire, but the production was confusing, and the choreography struggled to get beyond bland.
Matthew Paluch sees The Sleeping Beauty at The Royal Albert Hall – good dancing with a digital backdrop that brings the story and score to life even more.
Kings Place, London A clever programme brought a mounting sense of lost grip, from Errollyn Wallen voicing the shame of Hamlet’s Ophelia, to Schumann’s fraught love declaration, an...
Scott C Morgan sees Yuri Possokhov's Eugene Onegin with a new lush, cinematic score by Ilya Demutsky – with dashing José Pablo Castro Cuevas and masterful Victoria Jaiani.
Tate Modern, LondonWith this work, the choreographer changed the course of dance – and on its 60th anniversary, viewed by babies, tourists and passers-by, it’s as beguiling and hyp...
Sadler’s Wells, LondonThe company’s centenary celebration isn’t about nostalgia – this occasionally thrilling triple bill of recent creations showcases some excellent dancersBritai...
Also: France in Westchester at Caramoor, a taut “Henry VI,” Djo’s pop-rock spark, and more.
Three recent productions at the Vienna State Opera (VSO) repeatedly demonstrated that first-rate conducting and singing could transcend even the most contentious directorial concep...
Graham Watts sees Gentleman Jack with Nida Aydinoğlu – a future star – and enjoys the unique choreographic style, memorable score, and emphatic set design.
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