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From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay reviews 9 shows in 7 nights appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: Four Proms and One Play appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: an electrifying new string quartet, and other performances appeared first on Slipped...
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: A callow opera star acquires depth and colour appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: From the War Requiem to a new Pastoral appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: From old Labour nostalgia to a new Atlantic Requiem appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay: An American apotheosis at BBC Proms appeared first on Slippedisc.
From our distinguished critic in residence, Alastair Macaulay:... The post Alastair Macaulay on closing the Gate and burying the great appeared first on Slippedisc.
Sadler’s Wells, LondonAlina Cojocaru astonishes in John Neumeier’s Ghost Light, an ethereal meditation on time, while Glen Tetley’s Firebird has much to cherishA ghost light is the...
The radical British choreographer, who has died aged 77, was as warm and graceful as his astonishing body of workThe first contemporary dance I really loved was made by Richard Als...
Sadler’s Wells, LondonA trio of dances taking influence from Stravinsky, tap and William Blake’s poetry combine with powerful performances exuding showmanshipDamn, there was some a...
Lisette Oropesa casts a spell as the titular sorceress in the Royal Ballet and Opera's fizzy revival of Alcina.
A new Macbeth summons the forces of hell — and the star power of Quinn Kelsey and Lise Davidsen — for a fiery start to the Met's new season.
The Royal Opera House's Don Giovanni comes without an instruction manual — but features a fine lothario in Gordon Bintner.
And the spirit of the ballerina Allegra Kent doesn’t hurt. The choreographer Benjamin Akio Kimitch dives into the art of Bugaku to create his fantasy of a Japanese American court d...
Heavyweight former Royal Court boss Cooke takes over the Islington powerhouse with an exciting year of work
Three strikingly different ballets, each showcasing the importance of rhythm, enhanced by a superb live orchestra... The post Review: Rhythm Riot, Sadler’s Wells appeared first on...
Amartuvshin Enkhbat is superb in Verdi's Simon Boccanegra in San Francisco — even if the drama offstage is more persuasive than this new production.
The ballet, on now at New York City Center, imagines the renowned writer enclosed in a cell, tortured by images from his own works about the relationship between life and art.
THE ECONOMIST AND THE BALLERINA That “iron streak of tinsel” which Alan Bennett once observed in Nicholas Hytner has again come good, giving us a play about early 20c economic...
In eclectic productions of Carmen, Ariadne auf Naxos, and Così fan tutte in Salzburg, A.J. Goldmann finds vindication for Markus Hinterhaüser at the end of the intendant's final Fe...
Especially when the Met Chorus hits the stage.
The choreographer Alexei Ratmansky and his wife, Tatiana, returned to the national ballet company at a bleak moment, bringing the gift of a difficult, sparkling work.
Countertenor Carlo Vistoli shows he's got the goods across the repertoire at the Park Avenue Armory.
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