Search results for Arri Alexa 35 Xtreme

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newsshooter.com /3 weeks ago

ARRI Software Update Package 6.0.2 for ALEXA 35 Xtreme / ALEXA 35 / ALEXA 35 Live cameras

ARRI has released Software Update Package 6.0.2 for ALEXA 35 Xtreme / ALEXA 35 / ALEXA 35 Live cameras, which addresses an issue identified in the recent SUP 6.0.0 release. The iss...

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cined.com /2 weeks ago

ARRI ALEXA 35 Live at Eurovision 2026 – CineD Goes Behind the Scenes of the Biggest Broadcast Deployment in ARRI History

For the first time in the history of the Eurovision Song Contest, the entire show is being shot on ARRI cameras. 24 ARRI ALEXA 35 Live camera systems are capturing the 2026 edition...

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newsshooter.com /3 weeks ago

SZJELEN Camera Cage Kit for ARRI ALEXA Mini, ALEXA Mini LF, & ALEXA 35

The SZJELEN Camera Cage Kit is compatible with ARRI ALEXA Mini, ALEXA Mini LF, and ALEXA 35 models, as well as ARRI extension handles. It supports both vertical and horizontal shoo...

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redsharknews.com /2 weeks ago

Eurovision 2026 broadcast: ARRI cameras and a massive LED wall

The Eurovision Song Contest marks 70 years of transnational live broadcasting, this year's show coming from Vienna with 24 ARRI ALEXA 35 Live cameras at its heart.

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cined.com /1 month ago

Pixboom Spark Ships in May: 12-Bit RAW and ProRes RAW Coming Next

Pixboom has confirmed that its long-awaited Spark high-speed camera will begin shipping on May 1st, with the first few hundred units heading out to early Kickstarter backers. The c...

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cined.com /1 month ago

Tech Talk With Michael Cioni: FUJIFILM GFX ETERNA 55 and How It Compares to ARRI ALEXA 35

At NAB 2026, Johnnie spoke with Strada CEO Michael Cioni at the FUJIFILM booth to revisit the most-debated camera comparison video of the year, his head-to-head between the FUJIFIL...

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cined.com /1 month ago

FUJIFILM GFX ETERNA 55 and ARRI ALEXA 35 Compared in Practice by Strada’s Michael Cioni

In a new long-form video on the Strada YouTube channel, filmmaker and tech innovator Michael Cioni explores the FUJIFILM GFX ETERNA 55 alongside Panavision Ultra Panatar II 1.3x an...

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nofilmschool.com /3 weeks ago

ARRI Releases New Software Update Package to Address Minor Issues With ALEXA 35 Cameras

In another example of why you don’t always want to update your cameras to the latest software right away, ARRI has introduced a new Software Update Package (6.0.2), which is mostly...

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redsharknews.com /1 month ago

ARRI cforce MAX lens motor specs and capabilities

ARRI introduces the cforce MAX lens motor, offering faster performance, compact design, and new features for what the company says is an enhanced focus pulling experience.

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cined.com /3 weeks ago

ARRI Omnibar LED Bars Unveiled – RGBAM Color, IP65 Build, and Magnetic Optics

ARRI has unveiled Omnibar, its first compact LED bar fixture, available in 2-foot and 4-foot lengths with a built-in battery, IP65 weatherproofing, full-spectrum CRI 98 output, an...

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cined.com /1 month ago

ARRI cforce MAX Replaces the cforce plus – Twice as Fast, 15% Smaller, and With an Onboard Touchscreen

ARRI has unveiled the cforce MAX, a brushless lens motor that directly replaces the long-serving cforce plus while delivering twice the speed, the same 1.0 Nm of peak torque, a 15%...

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redsharknews.com /4 weeks ago

BOSMA VEGA H2 rotates sensor and mount to shoot native vertical at full 6K

BOSMA's VEGA H2 packs a full-frame 6K sensor, built-in variable ND, and a patented orientation-switching system into a modular $4,999 body aimed at solo documentary and content cre...

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newsshooter.com /1 month ago

ARRI cforce MAX lens motor

ARRI has unveiled a new cforce MAX lens motor that brings increased speed and responsiveness to the Hi-5 ecosystem. It is faster, smaller, and lighter than the cforce plus motor it...

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cined.com /3 days ago

ZEISS Panoptes 65 Unveiled – Ten Large-Format Primes at T2.2 with LPL Mount and 59.9mm Image Circle

ZEISS is making its definitive push into 65mm cinematography with the Panoptes 65, a set of ten primes engineered specifically for large-format cameras such as the ARRI ALEXA 265,...

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newsshooter.com /3 weeks ago

Angénieux OPTIMO ULTRA 12X65

The Angénieux OPTIMO ULTRA 12X65 was designed and optimized for the next generation of 65 format cameras. It features a massive 46-556mm focal range, a constant T5.6 aperture, and...

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newsshooter.com /3 weeks ago

The New Frontier of Underwater Immersive Content– ACHTEL 3Deep & Apple Vision Pro

The Apple Vision Pro has created a demand for high-fidelity 180° stereoscopic immersive video. While capturing this on land is a known challenge, doing so underwater has historical...

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macrumors.com /1 month ago

Blackmagic Debuts $29K+ URSA Cine Immersive 100G for Vision Pro

Blackmagic has announced a new version of its URSA Cine Immersive camera, the first commercial camera system designed to capture 3D content for the Vision Pro. The URSA Cine I...

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petapixel.com /1 month ago

Xelmus Teased the World’s Widest Anamorphic Lens

Xelmus used NAB Show 2026 to preview what may be one of its most ambitious optics to date, the Aura 16mm 2x anamorphic lens. Still in prototype form, the lens is being shown as a p...

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newsshooter.com /3 weeks ago

RED Behind the Look Highlight Reel II

RED’s Behind the Look Highlight Reel II features a wide array of cinematographers and filmmakers discussing their creative processes and the technical advantages of using RED Digit...

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redsharknews.com /3 days ago

ZEISS Panoptes 65 large-format cinema primes

ZEISS will be showing its ten-focal-length Panoptes 65 large-format prime set at Cine Gear Expo LA next week and has released new details on what looks to be some very classy glass...

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cined.com /1 week ago

OPPO Find X9 Ultra Coming Soon – 8K Log Recording, 4K 120fps Dolby Vision, and an ACES-Certified Color Pipeline

OPPO has unveiled the Find X9 Ultra, a Hasselblad co-engineered flagship that pushes mobile filmmaking with 8K 30fps 10-bit Log recording, an ACES-certified color pipeline, and 4K...

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analog.cafe /1 month ago

Adam Savage (Mythbusters) explores IMAX film projection.

The medium (120/220) format is revered for its immense resolution. On film, switching from full-frame (35mm) can dramatically reduce grain and add significant detail that smaller f...

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newsshooter.com /3 weeks ago

ARRI Omnibar– compact, scalable LED bar system

ARRI has unveiled its first lighting product since it was taken over by the Riedel Group. The new fixture is called Omnibar, and it is a compact, scalable LED bar system. ARRI is t...

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cined.com /1 month ago

Thomas Riedel Acquires ARRI: Broadcast Technology Entrepreneur Takes Over Cinema’s Most Iconic Brand

After months of speculation about ARRI’s future ownership, the 109-year-old Munich camera and lighting manufacturer has been acquired by Thomas Riedel, the founder and sole owner o...

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