Social Media Ideas for Arri Alea Xt

Cinelux Reduxa A1 Focal Reducer for the ARRI Alexa Classic, Alexa XT & Alexa SXT

The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...

ARRI ALEXA 35 Xtreme Warranty Promotion

For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...

ARRI Hi-5/Hi-5 SX SUP 3.6.6

ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...

ARRI ALEXA 35 cameras & ALEXA 265 SUP 6.2.0

ARRI has released Software Update Package SUP 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live, ALEXA 35 Live Xtreme, and ALEXA 265. The main features of this release are the...

ARRI brings SMPTE ST 2110 support to ALEXA 35 Live with LPS-1 SUP 1.5.0

ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...

ARRI ALEXA 35 and ALEXA 265 SUP 6.2.0 Released – Full Focusbug Cine RT Integration, Shared Focus Marks, Depth of Field R...

ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...

CINELUX REDUXA A1 Kickstarter Dates and Pricing Announced – 0.71x Focal Reducer for ALEXA Classic, XT and SXT

Back in July, CINELUX teased the REDUXA A1, a focal reducer that lets older ARRI ALEXA cameras shoot with full-frame lenses. Now the British company has put dates and prices on it....

ARRI’s Latest Update to Bring Full Focusbug Cine RT Integration to its 35mm and 65mm ALEXA Cameras

Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

Lighting a Half-Mile Highway at Night– ARRI ALEXA 35 ES Mode & SkyPanel X

Cinematographer Ralph Kaechele recently used the ARRI ALEXA 35 and SkyPanel X fixtures to shoot the German-Austrian miniseries “Hundertdreizehn” (“One Hundred and Thirteen”) for AR...

ARRI Film Lab 1.5: new formats, ACES 2.0, price

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.

Dream Chip Atom Two HDR: 14-Bit Global Shutter Mini Camera at IBC 2026

Dream Chip Technologies launched the Atom Two HDR just ahead of IBC 2026, adding an HDR-focused model to its Atom Two miniature broadcast camera line. We spoke with Michael from Dr...

Godox AM6000R First Look at IBC 2026

At IBC 2026 in Amsterdam, Godox was showing a prototype of its upcoming AM6000R, a massive 6000W fixture that consists of 3 large panels in an inflatable frame that combine to prod...

QTAKE Pro 3.0

QTAKE Pro 3.0 features a more flexible project setup and integrated QTAKE Sync (with a free license until the end of 2026), ThunderFace 4K Duo+ support, AI-powered slate and OSD sc...

Astera QuikBeam Connect Explained – Track-Mounted Fresnel, 13 to 60° Zoom, RGBMA Color Mixing

Astera has moved its compact QuikBeam Fresnel into a track light housing, creating the QuikBeam Connect, a version built for permanent indoor installation with the same 13 to 60° z...

Driftwood Productions ARRI EI Zone v2.0 is now a OFX plugin

Driftwood productions, ARRI EI Zone v2.0 is now a OFX plugin. The new version adds several new features and improvements over its predecessor. Version 2.0 rebuilds the ARRI EI Map...

Aputure STORM CS32 released: brighter than a 4K HMI

Aputure has released the STORM CS32, a fully tunable colour LED fixture with output beating a 4K HMI, priced from €5600 and shipping in October.

Beeble SwitchX 2.0: specs, Reframe, price

Beeble has updated SwitchX with native 4K, 20-second clips, and 10-bit color. It's also launched Reframe, a tool for changing aspect ratio while preserving the original performance...

Antilatency FullBandRGB– a studio light designed specifically for virtual production

Antilatency has launched FullBandRGB, a studio light designed specifically for virtual production. The fixture combines a seven-LED spectral architecture with precise linear contro...

Sony Alpha Repost: Creative Filmmaking in Motion with the Sony FX5

Some of the best filmmaking happens when the plan changes. A shift in natural light, an unexpected movement from your subject, or a composition you discover only after you start sh...

Wonderfilm Pictures Launches Four-Way RED KOMODO-X VFX Array for Virtual Production, Capturing a 180°+ Field of View on...

Godox MG6KR, PaletteLab, AM800R: IBC 2026 roundup

At IBC2026, Godox is showing its 6K RGB MG6KR light, PaletteLab color fixtures, an inflatable soft-light mat and a 1.9 GHz intercom system for large crews.

Sony FX5 Lab Test: Rolling Shutter, Dynamic Range and Exposure Latitude

Long anticipated, now a reality: a production version of the new Sony FX5 with final firmware has arrived at our CineD headquarters in Vienna. Time to run it through our standard C...

ARRI’s Film Lab Adds 8mm, 16mm, and 65mm Film Looks With This Major Update

While not a full step update (as in a version 1 to a version 2), this 1.5 version update for ARRI Film Lab is quite significant nonetheless.This major update to ARRI’s popular lice...