Social Media Ideas for Arri Alexa Sxt

ARRI ALEXA 35 Xtreme Warranty Promotion

For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...

ARRI ALEXA 35 cameras & ALEXA 265 SUP 6.2.0

ARRI has released Software Update Package SUP 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live, ALEXA 35 Live Xtreme, and ALEXA 265. The main features of this release are the...

Cinelux Reduxa A1 Focal Reducer for the ARRI Alexa Classic, Alexa XT & Alexa SXT

The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...

ARRI Hi-5/Hi-5 SX SUP 3.6.6

ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...

ARRI brings SMPTE ST 2110 support to ALEXA 35 Live with LPS-1 SUP 1.5.0

ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...

ARRI ALEXA 35 and ALEXA 265 SUP 6.2.0 Released – Full Focusbug Cine RT Integration, Shared Focus Marks, Depth of Field R...

ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...

CINELUX REDUXA A1 Kickstarter Dates and Pricing Announced – 0.71x Focal Reducer for ALEXA Classic, XT and SXT

Back in July, CINELUX teased the REDUXA A1, a focal reducer that lets older ARRI ALEXA cameras shoot with full-frame lenses. Now the British company has put dates and prices on it....

ARRI’s Latest Update to Bring Full Focusbug Cine RT Integration to its 35mm and 65mm ALEXA Cameras

Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...

Sony FX5 Lab Test: Rolling Shutter, Dynamic Range and Exposure Latitude

Long anticipated, now a reality: a production version of the new Sony FX5 with final firmware has arrived at our CineD headquarters in Vienna. Time to run it through our standard C...

ALPHAGVRD ARRI Alexa Mini LF Skin

I have seen people wrapping cars, but not cameras! ALPHAGVRD is teasing a new upcoming skin for the ARRI Alexa Mini LF. The 3M vinyl skins are claimed to ensure protection against...

Cooke S4 FF/i

Cooke has announced its new S4 FF/i prime lens series, which they are touting as being an invigorated full-frame evolution of the iconic S4/i S35 lenses. Unlike their predecessors,...

Pixboom Spark Updated – Pre-Record, Browser Remote Control, and 12-Bit RAW in Development

A year after the Spark was a crowdfunding promise on the IBC show floor, Pixboom is shipping cameras and filling in the features it originally sold on paper: 12G-SDI is live, pre-r...

Lighting a Half-Mile Highway at Night– ARRI ALEXA 35 ES Mode & SkyPanel X

Cinematographer Ralph Kaechele recently used the ARRI ALEXA 35 and SkyPanel X fixtures to shoot the German-Austrian miniseries “Hundertdreizehn” (“One Hundred and Thirteen”) for AR...

Sony FX5 – Newly Added to Camera Database

New in the CineD Camera Database: Sony FX5 – check and compare Lab Test data and Recording Modes & Times.

Bright Tangerine Sony FX5 Accessories

Bright Tangerine has new accessories for the Sony FX5. The Sony FX5 accessories range from full 15mm LWS rigs to minimalist cage systems, as well as an EVF Bracket & Extension...

Accsoon TopRig S60 II Motorized Slider first look at IBC 2026

At IBC 2026 in Amsterdam, Accsoon was showing its upcoming TopRig S60 II Motorized Slider, which is a follow-up to the original S60. The TopRig S60 II has a few new features that w...

Aputure STORM CS32 released: brighter than a 4K HMI

Aputure has released the STORM CS32, a fully tunable colour LED fixture with output beating a 4K HMI, priced from €5600 and shipping in October.

ARRI Film Lab 1.5: new formats, ACES 2.0, price

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.

ARRI’s Live Production Monitor Gets Some New Power Management Safeguards and Improvements

Alongside notable updates to its ALEXA 35mm and 65mm camera range, ARRI has announced an important Software Update Package (SUP) for its Live Production Monitor.The ARRI LPM-1 is g...

Sony Alpha Repost: Creative Filmmaking in Motion with the Sony FX5

Some of the best filmmaking happens when the plan changes. A shift in natural light, an unexpected movement from your subject, or a composition you discover only after you start sh...

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

DigitalFoto THANOS-PROCINE ELITE Camera Stabilizing System Introduced – 30Kg Payload, Improved Arm & Vest, and More

On the show floor at IBC 2026, we stopped by DigitalFoto’s booth, where Malcolm Modele gave us a demo of the company’s latest THANOS-PROCINE ELITE camera stabilizing system, which...

Wonderfilm Pictures Launches Four-Way RED KOMODO-X VFX Array for Virtual Production, Capturing a 180°+ Field of View on...

Sony DP7 and DP5 Announced – Camera Control Monitors for the FX5, FX3, FX2, and FX30

Sony has announced two external controllers for its Cinema Line cameras, the 7-inch RM-DP7 and the 5-inch RM-DP5. Both put the BIG6 home screen on a factory-calibrated 2,000-nit pa...