Social Media Ideas for Arri Alexa

Cinelux Reduxa A1 Focal Reducer for the ARRI Alexa Classic, Alexa XT & Alexa SXT

The Cinelux Reduxa A1 is the first focal reducer system for the ARRI Alexa Classic, XT and SXT. I previously featured it on the site, when it was still very much in the prototype s...

ARRI ALEXA 35 Xtreme Warranty Promotion

For a limited time, ARRI Australia is offering an extended warranty on new ALEXA 35 Xtreme Base and Premium camera packages. With this promotion, purchases now include 4 years of w...

ARRI ALEXA 35 cameras & ALEXA 265 SUP 6.2.0

ARRI has released Software Update Package SUP 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live, ALEXA 35 Live Xtreme, and ALEXA 265. The main features of this release are the...

ARRI brings SMPTE ST 2110 support to ALEXA 35 Live with LPS-1 SUP 1.5.0

ARRI is bringing SMPTE ST 2110 support for the ALEXA 35 Live Multicam System. This opens the system up to fully IP-based broadcast studios, stadiums, high-end flypacks, and remote...

CINELUX REDUXA A1 Kickstarter Dates and Pricing Announced – 0.71x Focal Reducer for ALEXA Classic, XT and SXT

Back in July, CINELUX teased the REDUXA A1, a focal reducer that lets older ARRI ALEXA cameras shoot with full-frame lenses. Now the British company has put dates and prices on it....

ARRI Hi-5/Hi-5 SX SUP 3.6.6

ARRI has released Software Update Package (SUP) 3.6.6 for the Hi-5 and Hi-5 SX. New features include focus marks now being able to be handled by ALEXA 35 cameras and the ALEXA 265,...

ALPHAGVRD ARRI Alexa Mini LF Skin

I have seen people wrapping cars, but not cameras! ALPHAGVRD is teasing a new upcoming skin for the ARRI Alexa Mini LF. The 3M vinyl skins are claimed to ensure protection against...

Lighting a Half-Mile Highway at Night– ARRI ALEXA 35 ES Mode & SkyPanel X

Cinematographer Ralph Kaechele recently used the ARRI ALEXA 35 and SkyPanel X fixtures to shoot the German-Austrian miniseries “Hundertdreizehn” (“One Hundred and Thirteen”) for AR...

ARRI ALEXA 35 and ALEXA 265 SUP 6.2.0 Released – Full Focusbug Cine RT Integration, Shared Focus Marks, Depth of Field R...

ARRI has released Software Update Package 6.2.0 for the ALEXA 35, ALEXA 35 Xtreme, ALEXA 35 Live and ALEXA 265. The update connects the Focusbug Cine RT rangefinder directly to the...

ARRI’s Latest Update to Bring Full Focusbug Cine RT Integration to its 35mm and 65mm ALEXA Cameras

Big news for high-end filmmakers and cinematographers as ARRI has unveiled a notable new Software Update Package (SUP) that adds new features and capabilities to its full range of...

Wonderfilm Pictures Launches Four-Way RED KOMODO-X VFX Array for Virtual Production, Capturing a 180°+ Field of View on...

Filming Digger in VistaVision

Panavision and Warner Bros. have posted up a BTS video from Digger where director Alejandro G. Iñárritu and Tom Cruise talk about the work of cinematographer Emmanuel “Chivo” Lubez...

ARRI Film Lab 1.5: new formats, ACES 2.0, price

ARRI Film Lab 1.5 adds 8mm, 16mm, and 65mm looks, anamorphic grain, and ACES 2.0 support.

Phantom LUTs for Nikon ZR Released – ARRI Alexa Emulation for RED Log3G10

Joel Famularo has released his long-awaited Phantom LUTs for the Nikon ZR, bringing the ARRI Alexa emulation his packs are known for to Nikon’s compact cinema camera. The Gen 1 rel...

HONOR Magic9 Pro Max Launches – ARRI Co-Branding, Native LogC3 Recording, Dual 200MP Cameras

HONOR has launched the Magic9 Pro Max in China, and for the first time, the ARRI logo sits on the phone itself and on the box. Following the Robot Phone in August, this is the seco...

ARRI live webinar– Exploring ARRICORE: A Visually Lossless RGB Codec

ARRI is having a free live webinar called Exploring ARRICORE: A Visually Lossless RGB Codec that will be hosted by commercial DP Charles Bergquist, along with Picture Shop’s Superv...

Sony FX5 Lab Test: Rolling Shutter, Dynamic Range and Exposure Latitude

Long anticipated, now a reality: a production version of the new Sony FX5 with final firmware has arrived at our CineD headquarters in Vienna. Time to run it through our standard C...

Sony Alpha Repost: Creative Filmmaking in Motion with the Sony FX5

Some of the best filmmaking happens when the plan changes. A shift in natural light, an unexpected movement from your subject, or a composition you discover only after you start sh...

IBC 2026 Overview & Best-of-Show Winners | iPhone 18 Pro Gets a Variable Aperture | Teradek Bolt 7 – Focus Check ep1...

The iPhone 18 Pro is the first iPhone with a variable aperture on its main camera – four fixed positions from f/1.48 to f/4, with the wide-open setting half a stop faster than befo...

ARRI & HONOR announce the co-branded HONOR Magic9 Pro Max

ARRI and HONOR have announced the co-branded HONOR Magic9 Pro Max, which marks their second collaboration after the Robot Phone. The HONOR Magic9 Pro Max is part of the company’s f...

FSI GaiaColor Analyzer DM Series, multicam grading

Flanders Scientific has put GaiaColor Analyzer into beta firmware for DM Series monitors. Pomfort Livegrade 7.2 also adds independent four-camera LUT control to XMP monitors.

ILLUVISION MAGNA 65-350mm T3.6 – Rehoused ARRI/FUJINON Alura Zoom for Full-Frame Sensors

ILLUVISION has recently introduced the MAGNA 65-350mm T3.6, which is essentially a repurposed ARRI/FUJINON Alura 45-250mm T2.6 Studio Zoom with a built-in optical expander that upg...

Mavis Camera 8.2: iPhone 18 Pro aperture, ProRes RAW

Mavis Camera 8.2 supports the iPhone 18 Pro's variable aperture. It also adds ProRes RAW recording to SSD, HDMI output, and a WebSocket API.

HONOR Magic9 Pro Max: ARRI branding, specs and price

HONOR's flagship now carries ARRI logos on the device itself. It follows August's Robot Phone, and brings native LogC3 and ARRI Looks to a 200 MP dual-camera setup.