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The Yorickans on 'A Two Woman Hamlet' at the Old Red Lion The post Wacky, Defiant, and Rosencarrots the Rabbit appeared first on Everything Theatre.
Side characters take center stage in Rosencrantz and Guildenstern Are Dead, Tom Stoppard's Hamlet send-up.
“Women of Will” owes its inspiration and even its title to Tina Packer, the founding artistic director of the acclaimed Shakespeare & Company theater company of Lenox, Massachu...
William Shakespeare’s brightest comedy and darkest tragedy are both taking the stage in and beyond Queens this summer, against the backdrop of the setting sun.Hip to Hip Theatre Co...
Anja Behrens lässt in ihrer Inszenierung von Tove Ditlevsens „Kopenhagen-Trilogie“ drei Frauen die gleiche Rolle spielen. Auch Schrift spielt mit. mehr...
For actors in The Winter’s Tale, the fractured marriage at the center of the play is a barometer of relationships in our own time.
BATON ROUGE — The Louisiana Shakespeare Company is staging its first tragedy with an upcoming production of William Shakespeare's "Hamlet: Prince of Denmark."Directed by...
As Sara Wiseman steps into her ‘plum’ role as Lady Macbeth, she tells Felicity Monk about ambition, identity and the all-consuming nature of performance.
Back in the 1950s, double features were commonplace at drive-in theaters. (Pretty sure our sister was conceived during the final act of Plan 9 from Outer Space). Well, flash forwar...
SHAKESPEARE: OUTDOOR, OUTRAGEOUS AND OPEN-HEARTED Start by knowing that this is a bangingly entertaining evening out under the Suffolk skies, with ragamuffin costumes and lovely...
Alan Ayckbourn's ingenious 1969 comedy How The Other Half Loves is a theatrical marvel.
Braboeuf Manor, GuildfordElegantly stitching the plays into two parts of the same continuing story, Tom Littler’s sunny al fresco productions play every possible tragicomic noteTwo...
By Beks Roen. Beks Roen, a nonbinary, aromantic, asexual actor who often performs in Shakespearen plays, reflects on how they have made space for their identities in classical thea...
“Elektra/Persona,” the U.K. National Theatre production fusing Sophocles’ “Elektra” with Ingmar Bergman’s “Persona,” grew out of friendship rather than a directorial concept impose...
The hottest ticket in theatreland will soon be Cate Blanchett in Electra/Persona. Caged female rage continues to capture audiencesIt feels like a very Greek summer here in the UK....
The Mad King may bring more dynastic disputes and dotty despots to the RSC – but a ‘mayhap’ or a riddling aphorism does not a Shakespeare play makeAs a latecomer to Game of Thrones...
Part One: Mrs. H. Attwood, formerly Mary Stokes —“I suppose,” thought Harriet, “she had one of those small, summery brains, that flower early and run to seed. “I always thought she...
Daniel Sullivan’s Shakespeare in the Park production is smooth and well-executed but rarely urgent.
There is an edge to watching five actresses portray characters that Whoopi Goldberg wrote and performed by herself, in her 1984 solo show on Broadway, a debut that led to her star-...
By Madison LeFever. Madison Joy LeFever rejects widespread reluctance to stage multidimensional fat characters who engage the full spectrum of human experience.
Wilkie Collins’s No Name (1862) is, to use its narrator’s own words, a “a narrative of dramatic disasters,” an exercise in building a “dramatic world out of a domestic chaos.” It i...
Ellie Grace & Chloe Avery-Comberbach discuss The Whore Queen at The Courtyard Theatre The post Anne Boleyn Girly-Pop appeared first on Everything Theatre.
The “S.N.L.” cast member partners with Liva Pierce in a musical revue about best friends with bad jobs and no girlfriends.
Shakespeare Opera Theatre presented two American operas exploring themes of hypocrisy and deception — in a church!
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