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Behind many great records is someone helping shape the music beyond the notes themselves: a producer, collaborator, sounding board, and sometimes even an unofficial artist-developm...
If process is how you make a movie, the operating layer is how to build a career.
For Laura Medeiros, producing was never the fallback; it was the destination. Growing up in Porto Alegre, Brazil, she was the kid watching films meant for adults, absorbing everyth...
By Markice Moore Every actor knows what it feels like to chase the next call. A booking can change the temperature around your name. A strong credit can get you...
Sometimes, the only path to success is getting so good at your craft that people can't ignore you.
When you think about what makes David Bowie Bowie, the alien theatricality, the chameleonic restlessness, the sheer audacity of the thing, how much of that belongs to Bowie himself...
Independent filmmaking has a habit of disguising itself as something manageable. In our case, it began with a play: five women, one location, a church basement, and a story driven...
The path to a career in entertainment is no longer linear. Performers who began as digital creators are entering the industry with built-in audiences, clear identities and direct r...
Early in my career, I thought pre-production was paperwork. Shot lists. Call sheets. Meetings where people said “circle back” and “action…Continue reading on Medium »
Tea Shop's James Harris and Mark Lane are the prime movers behind Curry Barker's hit movie, and they pride themselves on taking a chance on newcomers.
As an independent jazz artist with more than a dozen releases, I've promoted my recordings in all the usual ways, hoping to spread my music and eventually recoup the money I'd inve...
What happens when you fall in love with filmmaking, but don’t come from an artistic background and don’t have an MFA from the big film schools? Gerardo Maravilla looked to the reso...
Darin Epsilon reflects on 15 years of Perspectives Digital, exploring how his production evolved with tools like Massive X and Monark while shaping one of Melodic Techno’s most res...
“There has been very little reflection on what a producer actually does or what a producer actually is.”
There’s a dangerous illusion that lives inside independent filmmaking—the belief that passion alone is enough. That if you just love movies deeply enough, sacrifice enough sleep, s...
Applications for the Film Independent Fiction Producing Lab are now open. The deadline for non-Members is May 4th, while Film Independent Members have until May 18th. *** Producer...
Abe Bengio is an agent at WME Independent, the division handling domestic and international film sales for the agency. He has packaged and sold some of the most acclaimed independe...
Looking back at Ruth Tomandl's GDC 2013 talk Production 101, and the inspiration and wisdom contained within.
Nobody is coming. Not to tap your shoulder. Not to slide you a pass. Not to tell you you’re “ready.” The film business doesn’t open. It leaks. It tilts. It slouches sideways. It’s...
Nobody is coming. Stop pretending you can be discovered. There is no exhausted studio executive wandering the streets of London praying to find your unread screenplay in a coffee s...
Consultant script by Spencer Moleda, Aaron Pollack, Robert RippbergerContinue reading on Go Into The Story »
Los Angeles-based producer Zikun Wu has built her career across film development, vertical drama, and international production, bringing a cross-cultural The post L.A.-Based Produc...
Have you been obsessed with the Backrooms since the beginning? I certainly have, so I am among the fans who are absolutely hype for the feature-length adaptation of the Internet’s...
It started, as many independent films do, with a room full of ideas and no guarantees. The BFI-supported pitching session wasn’t just about finding a strong concept — it was about...
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