How to Actually Shoot a 50mm Lens on the Street
The 50mm is the lens most people buy first because it's the cheapest prime in the catalog, and plenty of them spend the first few months shooting it wide open just to see the backg...
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The 50mm is the lens most people buy first because it's the cheapest prime in the catalog, and plenty of them spend the first few months shooting it wide open just to see the backg...
Panasonic sells two 50mm lenses for L-mount, and one costs five times the other for just two-thirds of a stop more light. That kind of price gap forces a decision, and the cheaper...
A 50mm f/1.2 with a 72mm filter thread sounds like a spec sheet mistake, yet that's exactly what Sigma built. A lens this fast usually forces a bigger front element and a heavier b...
A $199 fifty that outresolves a Panasonic 50mm at double the price and half the weight is the kind of result that reshuffles a whole lens lineup. That is exactly what happened when...
Everyone loves a good nifty fifty lens. It’s a staple for photographers and videographers alike to keep in their bags and use as a top prime lens option for shots that need that ex...
An autofocus 50mm f/1.8 for the Nikon Z system runs $89, and the images coming off it look nothing like the price tag suggests. A fast prime at that number changes what a beginner...
Viltrox's lightest 50mm for mirrorless mounts pairs a sub-$200 price with a relatively fast aperture, though at the cost of simplicity.
Portraiture is an extremely popular genre of photography, and like wildlife and sports photography, it comes with relatively stringent gear demands. You typically need a standard o...
At $400, the Panasonic Lumix S 40mm f/2 is one of the least expensive ways to put an official autofocus prime on an L-mount body. A 40mm sits between the standard 35mm and 50mm cho...
An ultra wide full frame prime that weighs just 142 g and stays sharp wide open is a rare find, and the Lumix 20mm f/2.5 pulls it off. If you shoot travel, vlog, or simply want a k...
The classic 70-200mm f/2.8 lens is such a useful staple in the professional photography world. Full-frame users have long lusted after these pro telephotos to handle everything fro...
Tamron has announced a new 16-50mm f/2.8 A (Model B091) zoom lens for APS-C mirrorless cameras, promising a compact, versatile, fast option for Sony, Canon, Nikon, and Fujifilm APS...
The new Nikon Z5 IIC was unveiled yesterday, and while it might not be a top option for those looking for top-end recording specs and features, it could be a popular pick for hybri...
Chinese lens company Mandler made headlines for its debut lens earlier this year, a facsimile Leica 35mm f/2 prime. The company is back with another Leica copycat, the Mandler 50mm...
A 75mm f/1.4 is a short telephoto that isolates a subject without forcing you to back across the room, and the Thypoch Simera 75mm f/1.4 brings that focal length to Leica M mount i...
The lens is easy to carry around and produces solid images.
The Brightin Star 50mm f/2 Tri-Sight is a manual-focus lens that puts three different optical personalities behind one turning ring, so you can switch between a clean normal lens a...
Fast 75-180mm equiv lens is coming to most of the popular lens mounts and is smaller than you can believe
Who said full-frame lenses have to be big? Pancake lenses are always popular because of their compact nature, and you can have the image quality of a full-frame sensor in a package...
Ask a room full of people to name the best portrait lens, and most will point to something like the Canon RF 85mm f/1.2L USM, with its reputation for sharpness, flattering perspect...
Forced to sell every camera and lens and shoot a single focal length forever, plenty of street shooters would reach for 35mm because it handles almost anything. There's a strong ca...
At $168, the Viltrox AF 20mm f/2.8 Air is likely one of the cheapest full-frame 20mm autofocus lenses on the market. L-mount shooters now have it as an option, part of a batch of f...
Sigma has announced the 50-120mm f/2.8 DC OS Contemporary, the final piece of the company's compact "holy trinity" of zooms for APS-C cameras. [Read More]
Sigma just put a 20-60mm zoom against a rattlesnake at sunrise in the Sonoran Desert, and the lens walked away as the star. A 20mm wide end, a variable f/2.8-4 aperture, and a body...
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