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Xelmus used NAB Show 2026 to preview what may be one of its most ambitious optics to date, the Aura 16mm 2x anamorphic lens. Still in prototype form, the lens is being shown as a p...
DZOFilm has unveiled Arcana, a new series of 1.5x hybrid anamorphic lenses designed for full-frame cameras. The company says its new lenses offer filmmakers the style and character...
The Angénieux OPTIMO ULTRA 12X65 was designed and optimized for the next generation of 65 format cameras. It features a massive 46-556mm focal range, a constant T5.6 aperture, and...
The theatrical experience is sacred. There is nothing quite like seeing one of your favorite films in a crowded theater—especially if that movie was captured specifically for large...
Cooke has launched the AP3, a three-lens 1.5x anamorphic series in 35mm, 50mm, and 85mm, aimed at mirrorless camera users. Pricing starts at $7750 per lens.
Anamorphic lenses are everywhere these days. From the small screen of television to the big screen of IMAX theaters, cinematographers often reach for anamorphics. These lenses not...
Cooke has just released the AP3, a series of compact 1.5x anamorphic lenses that cover full-frame image sensors. At launch, three focal lengths are available: 35 mm, 50 mm, and 85...
Cooke, a legendary name in cinema lenses, has announced the AP3 FF lenses, a new series of 1.5x anamorphic lenses designed specifically for full-frame mirrorless cameras. [Read Mor...
The medium (120/220) format is revered for its immense resolution. On film, switching from full-frame (35mm) can dramatically reduce grain and add significant detail that smaller f...
ZEISS will be showing its ten-focal-length Panoptes 65 large-format prime set at Cine Gear Expo LA next week and has released new details on what looks to be some very classy glass...
At NAB 2026, Viltrox introduced its EPIC 1.33x full-frame anamorphic lineup with four new focal lengths: 18mm T2.8, 21mm T2.4, 29mm T2, and 40mm T2. The company also previewed an L...
Last July, Sirui announced IronStar, a new series of 1.5x anamorphic lenses for full-frame. The 35mm, 45mm, and 60mm primes all shared a fast T1.9 aperture and sub-$1,000 price tag...
At NAB 2026 in Las Vegas, Laowa was showing its new Axon 45mm f/2.8 Ultra Macro 1–5x APO and Axon 17.5mm f/1.7 Ultra Macro 5–10x APO, which are claimed to be the World’s first parf...
Toronto. Over the years, various cameras were offered with a moveable septum and lens that (or some times the entire camera) rotated to create extreme wide angle shots. Around 1952...
At NAB 2026, SIRUI demonstrated three new additions to their IronStar full-frame anamorphic line with a constant 1.5x squeeze factor. The debuting 75, 100, and 135mm ought to compl...
Thypoch announced a new addition to its Simera-C series of affordable, compact cinema primes, the Simera-C 16mm T1.9. It is Thypoch's widest full-frame cinema prime lens yet. [Read...
ZEISS is making its definitive push into 65mm cinematography with the Panoptes 65, a set of ten primes engineered specifically for large-format cameras such as the ARRI ALEXA 265,...
Shooting with anamorphic lenses can feel intimidating at first. But once you understand how they function, they become a powerful tool for visual storytelling. Anamorphics aren’t r...
IMAX film screenings are special experiences. Not many theaters play the actual IMAX celluloid, and that is in large part because of the insane logistics involved with projecting t...
Big, BIG news today for large-format filmmakers: ZEISS has dropped a new set of cinema prime lenses. This new ten-lens set of large-format cinema primes will range from 25mm to 180...
Thypoch has expanded its Simera-C compact cinema prime lineup with a new ultra-wide 16mm T1.9, available in Sony E-mount and Leica M-mount. The lens introduces a 106° diagonal fiel...
Laowa has announced the 4.5-10mm f/2.8 CF Zoom Fisheye, which was designed specifically for APS-C and Micro Four Thirds (MFT) cameras. It is being referred to as a compact “muffin-...
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